Painting the modern garden : Monet to Matisse
Author(s)
Bibliographic Information
Painting the modern garden : Monet to Matisse
Royal Academy of Arts, 2015
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
Note
Catalogue of the exhibition held at The Cleveland Museum of Art, Oct. 11, 2015-Jan. 5, 2016, Royal Academy of Arts London, Jan, 30-Apr. 20, 2016
"Exhibition organised by the Cleveland Museum of Art and the Royal Academy of Arts, London" T.p. verso
Chronology: p. 305-311
Includes bibliographical references (p. 316-319) and index
Description and Table of Contents
Description
While depictions of gardens are found across the centuries and around the world, within Europe the Impressionists were among the first to portray gardens directly from life, focusing on their colour and form rather than using them as a background for historical, religious and literary themes. This volume explores the close, symbiotic relationship between artists and gardens that developed during the latter part of the nineteenth and the first part of the twentieth centuries, centring on Monet, a great horticulturalist as well as a great artist, and the creation of his garden at Giverny, where he painted his Water Lilies series. I owe it to flowers, he wrote, that I have become a painter. Beautifully illustrated with masterpieces from Monet and fellow Impressionists, and from later painters such as Bonnard, Sargent, Klee, Kandinsky and Matisse Painting the Modern Garden traces the changing influences of artistic movements and social and political effects on the garden in modern art. Chapters explore the aesthetic importance of gardens to these artists, and also their significance as utopian spaces of imagination and reverie, as well as of spiritual refuge.
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