Visualising lost theatres : virtual praxis and the recovery of performance spaces
著者
書誌事項
Visualising lost theatres : virtual praxis and the recovery of performance spaces
（Cambridge studies in modern theatre）
Cambridge University Press, 2022
- : hbk
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注記
Other authors: Julie Holledge, Jonathan Bollen, Liyang Xia
Includes bibliographical references (p. 180-199) and index
内容説明・目次
内容説明
This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Cantonese opera performances in Australia's goldfields in the 1850s; and the Stardust showroom in 1950s Las Vegas. Shaping some of the most enduring genres of world theatre and cultural production, each venue marks a significant cultural transformation, charted here through detailed discussion of theatrical praxis and socio-political history. Using virtual models as performance laboratories for research, Visualising Lost Theatres recreates the immersive feel of venues and reveals performance logistics for actors and audiences. Proposing a new methodology for using visualisations as a tool in theatre history, and providing 3D visualisations for the reader to consult alongside the text, this is a landmark contribution to the digital humanities.
目次
- Introduction: Theatre Venues and Visualisation
- 1. The Rose Theatre and Stage Movement in Marlowe's Doctor Faustus
- 2. Komediehuset and Henrik Ibsen's Stagecraft in his First Theatre
- 3. A Colonial Audience Watching Othello at the Queen's Theatre
- 4. Cantonese Opera and the Layering of Space on the Australian Goldfields
- 5. The Design of Attraction at the Stardust Showroom in Las Vegas
- Conclusion: Visualising the Future of Theatre Research.
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