Posthumanism and Latin(x) American science fiction
Author(s)
Bibliographic Information
Posthumanism and Latin(x) American science fiction
（Studies in global science fiction）
Palgrave Macmillan, c2023
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: "Posthumanist Subjects" examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; "Slow Violence and Environmental Threats" understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in "Posthumanist Others" shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed.
Table of Contents
Introduction: "Posthumanism and Speculative Aesthetics in Latin(x) American Science Fiction".- Chapter 1. "Prosthetic Futures: Disability and Genre Self-Consciousness in Maielis Gonzalez Fernandez's Sobre los nerds y otras criaturas mitologicas." Ana Ugarte Fernandez, College of the Holy Cross.- Chapter 2. "We Have Always Been Posthuman: Virtus and the Reconfiguration of the Lettered Subject." Miguel Garcia, Fordham University.- Chapter 3. "Does the Posthuman Actually Exist in Mexico? A Critique of the Essayistic Production on the Posthuman Written by Mexicans (2001-2007)." Stephen Tobin, UCLA.- Chapter 4. Maia Gil'Adi, "Fuku, Postapocalyptic Haunting, and Science-Fiction Embodiment in Junot Diaz's 'Monstro.'" Maia Gil'Adi, University of Massachusetts-Lowell.- Chapter 5. "Villa Epecuen: Slow Violence and the Posthuman Film Set." Jonathan Risner, Indiana University.- Chapter 6. Catfish and Nanobots: Invasive Species and Eco-Critical Futures in Alejandro Rojas Medina's Chunga Maya, Samuel Ginsburg, Washington State University.- - Chapter 7. "Cyborgs in the Margins: Indigeneity in 'El Cementerio de Elefantes,' by Miguel Esquirol." Liliana Colanzi, Cornell University.- Chapter 8. "Race, Performance and the Discipline of the Body in Brazil's Dystopian Thriller 3%." M. Elizabeth Ginway, University of Florida.- Chapter 9. "Bruja Theory: On Witches and Worldmaking." William Orchard, Queens College of the City University of New York.- Afterword: "Posthuman Subjectivity in Latin America: Changing the Conversation." Silvia Kurlat Ares.
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