The Cromer collection of nineteenth-century French photography
著者
書誌事項
The Cromer collection of nineteenth-century French photography
George Eastman Museum , Yale University Press, c2022
並立書誌 全1件
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
収録内容
- A story of labels : Gabriel Cromer, the photographer, the collection, and the museum / Éléonore Challine
- A fraternity of rivals : The circle of collectors around Gabriel Cromer / Anne de Mondenard
- From Paris to Rochester : Eastman Kodak's 1939 purchase of the Gabriel Cromer collection / Heather A. Shannon
- A new history of photography : Beaumont Newhall and the Gabriel Cromer collection / Ellen Handy
- A belated acquisition : The Gabriel Cromer collection at the bibliothèque nationale / Sylvie Aubenas
- Passages, origins, and margins : Gabriel Cromer and Walter Benjamin, and photography's history / Jacob W. Lewis
内容説明・目次
内容説明
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum
In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth-Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.
Published in association with the George Eastman Museum
「Nielsen BookData」 より