Gabriele D'Annunzio and world literature : multilingualism, translation, reception
著者
書誌事項
Gabriele D'Annunzio and world literature : multilingualism, translation, reception
Edinburgh University Press, c2023
- : hardback
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [358]-392) and index
内容説明・目次
内容説明
Examines Gabriele D'Annunzio to re-evaluate cultural exchange and the political dimensions of global decadence and modernism
First book to examine Gabriele D'Annunzio's work from a global perspective and within World Literature paradigms
Transnational and cross-disciplinary focus: unveils D'Annunzio's investment in multilingualism, including dialect and translingual writing, as well as the influence of issues of mobility and migration, colonialism and politics on the global reception of his works
Introduces a polycentric view of D'Annunzio by bringing together chapters written by scholars from 12 countries (Italy, France, Belgium, Austria, Spain, UK, US, Canada, Russia, Egypt, Argentina, Japan), whose work in many cases appears in English for the first time
Unveils the crucial role of D'Annunzio's translators as cultural mediators and examines translations and adaptations as politically charged practices
Redefines D'Annunzio scholarship through a transnational lens, while also making a crucial contribution to studies of global decadence by demonstrating the role of Italian decadence in international networks of literary and artistic exchange
Gabriele D'Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond in France, Austria-Hungary, Russia, Japan and South America, D'Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D'Annunzio's work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D'Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement one that is profoundly cosmopolitan and yet also problematically nationalistic.
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