Global trade and cultural authentication : the Kalabari of the Niger Delta
著者
書誌事項
Global trade and cultural authentication : the Kalabari of the Niger Delta
Indiana University Press, c2022
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 283-300) and index
内容説明・目次
内容説明
Global Trade and Cultural Authentication, edited by Joanne Eicher, showcases the complexity and enduring aesthetic and ingenuity of Kalabari artisans. The Kalabari people, most of whom make their homes in the eastern Niger Delta region of western Africa, are renowned for the artistry in working with globally imported textiles and dress for centuries.
The 22 essays in this edited volume feature the work of leading Nigerian and American scholars and offer an in-depth, nuanced understanding of Kalabari textiles, aesthetics, and engagement with past and present global trade networks.
Using dress and textiles as a lens, Global Trade and Cultural Authentication explores the Kalabari people's centuries-long role in the global trade arena. Their economic interconnectedness demonstrates that Africa was never a "dark continent" but, rather, critically involved in a global trade built around Kalabari resourcefulness and imagination.
目次
- Acknowledgments Preface I. Cultural Authentication and Textiles 1. Dress, Textiles, and the Kalabari Material World, by Joanne B. Eicher and Tonye Victor Erekosima 2. Kalabari Cut-Thread and Pulled-Thread Cloth, by Tonye Victor Erekosima and Joanne B. Eicher 3. Cut-Thread Cloth Characteristics, by Otto Charles Thieme 4. "Our Great Mother . . . Tied This Cloth", by Elisha P. Renne 5. The Economics of Making Pelete Bite, by Joanne B. Eicher, Tonye Victor Erekosima, and Carl Liedholm 6. Indian Madras Plaids as Real India, by Sandra Lee Evenson 7. Ecological Systems Theory and the Significance of Imported Madras Cloth, by Joanne B. Eicher, Tonye Victor Erekosima, and Manuella Daba BobManuel-Meyer Petgrave 8. India and West Africa, by Barbara Sumberg and Joanne B. Eicher 9. Designed for Wrapping, by Hazel Ann Lutz II. Kalabari Dress 10. Male and Female Artistry, by M. Catherine Daly, Joanne B. Eicher, and Tonye Victor Erekosima 11. The Stages of Traditional Womanhood, by M. Catherine Daly 12. Dress and Gender in Women's Societies, by Susan O. Michelman and Joanne B. Eicher 13. The Aesthetics of Men's Dress, by Tonye Victor Erekosima and Joanne B. Eicher
- with Chapter Addendum: Aesthetics of the Color White in Kalabari Men's Dress, by Tonye Victor Erekosima 14. Dress as a Symbol of Identity of Sir (Chief) O. K. Isokariari, by Joanne B. Eicher 15. Beaded and Bedecked, by Joanne B. Eicher 16. Coral Use and Meaning, by Susan J. Torntore 17. Headwear, by Joanne B. Eicher and Tonye Victor Erekosima III. Kalabari Rituals 18. Celebration and Display, by Joanne B. Eicher and Tonye Victor Erekosima 19. Fitting Farewells, by Joanne B. Eicher and Tonye Victor Erekosima 20. Centenary and Masquerade Rituals, by Joanne B. Eicher 21. Kalabari Rituals and Dress as Multisensory Experiences, by Joanne B. Eicher IV. The Kalabari Diaspora 22. The Kalabari Diaspora in the Twenty-First Century, by Joanne B. Eicher Bibliography Glossary Index
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