A history of Russian cinema
著者
書誌事項
A history of Russian cinema
Bloomsbury, 2013, c2009
English ed.
- : pbk
並立書誌 全1件
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A history of Russian cinema / Birgit Beumers
BB00075419
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A history of Russian cinema / Birgit Beumers
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"English edition first published in 2009 by Berg, Reprinted by Bloomsbury Academic 2013 (twice)" -- T.p. verso
Includes Bibliographical references (p. 301-314) and index
内容説明・目次
内容説明
Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably with the work of Eisenstein, and a huge growth in the audience for film, which continued into the 1930s with the rise of musicals. The films of the Second World War and Cold War periods reflected a return to political concerns in their representation of the 'enemy'. The 1960s and 1970s saw the rise of art-house films. With glasnost came the collapse of the state-run film industry and an explosion in the cinematic treatment of previously taboo topics. In the new Russia, cinema has become genuinely independent, as a commercial as well as an artistic medium. A History of Russian Cinema is the first complete history from the beginning of film to the present day and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.
目次
Contents Introduction 1. The Silent Era: The beginnings of Russian cinema (1908-1919) 2. Cinema and the Revolution: art vs the masses? (1919-40) 3. War and Cold War: The Leader and the Enemy (1941-1956) 4. The Thaw: New Beginnings, Individual Lives (1956-64) 5. Stagnation Blockbusters: Comedies and adventures (1964-1986) 6. Between ideology and art (1964-1986) 7. Glasnost and its aftermath (1986-2000) 8. Russian cinema today (2000-) Conclusion Bibliography
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