Audience experience and contemporary classical music : negotiating the experimental and the accessible in a high art subculture
著者
書誌事項
Audience experience and contemporary classical music : negotiating the experimental and the accessible in a high art subculture
（Audience research）
Routledge, 2023
- : hbk
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注記
Includes bibliographical references and index.
内容説明・目次
内容説明
First large-scale audience experience study on contemporary classical music
Presents results and case studies from a cross-European survey at twelve concerts in ten different European countries, including at prominent institutions such as the Darmstadt Summer Courses, IRCAM, Snape Maltings and Ultima - Oslo Contemporary Music Festival
Offers the first large-scale comparisons between the concert experiences and tastes of contemporary classical and classical music audiences as well as insights into the reception of participatory and audiovisual works
Broader conclusions and discussions on the value of contemporary art in today's society
Includes recommendations to institutions programming contemporary classical music
目次
List of Figures
List of Tables
List of Abbreviations
Acknowledgements
Foreword by Professor Stephanie Pitts
Chapter 1: Introduction
Chapter 2: Conceptualising and Researching Audience Experience
Chapter 3: Contemporary Classical Music and its Audiences
Chapter 4: Who and Why? Demographics and Motivations to Attend
Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions
Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCM
Chapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCM
Chapter 8: CCM and Audience Participation: A Case Study
Chapter 9: Institution-Audience Relationships in CCM Culture
Chapter 10: 'Written without regard to the audience': Classical Music Attendees on CCM
Chapter 11: Conclusion
Appendix 1: Methodological Appendix
Appendix 2: Survey Questionnaires
Appendix 3: Supplementary Tables
Appendix 4: Supplementary Figures
Appendix 5: Full List of Works Performed at the Survey Concerts
Index
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