Whistler and artistic exchange between Japan and the West : after japonisme in Britain
著者
書誌事項
Whistler and artistic exchange between Japan and the West : after japonisme in Britain
(Routledge research in art history)
Routledge, 2023
- : hbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century.
Studies of Japonisme have been dominated by searching out relationships of influence between artworks-trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a 'modern', more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation.
A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history.
目次
Introduction 1. An Introduction to James McNeill Whistler's Work and Art Theory in Japan - from the Perspective of East-West Exchange, with Special Reference to Hayashi Tadamasa, Iwamura Toru, and Kume Keiichiro 2. James McNeill Whistler's Introduction in Japan - Focusing on the Modern Japanese Literary World 3. Spread of Universal Beauty: James McNeill Whistler, Ernest F. Fenollosa, Kaneko Kentaro, and Charles Lang Freer 4. James McNeill Whistler's Tonal Painting and morotai 5. Conclusion: Nihonga for the World: Modern 'nihonga' and the 'West (seiyo)' and 'Western Europe (seio)' as Relative Concepts 6. Postcript: Japanese Art Exhibitions in Britain from the Mid-Nineteenth Century to the Early-Twentieth Century
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