Music as intangible cultural heritage : policy, ideology, and practice in the preservation of East Asian traditions
著者
書誌事項
Music as intangible cultural heritage : policy, ideology, and practice in the preservation of East Asian traditions
(SOAS musicology series)(An Ashgate book)
Routledge, 2016, c2012
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Originally published: Ashgate, 2012
Includes bibliographical references (p. [229]-266) and index
内容説明・目次
内容説明
Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage. For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for indigenous traditions - are considered together. Calls to preserve the intangible heritage have recently become louder, not least with increasing UNESCO attention. The imperative to preserve is, throughout the region, cast as a way to counter the perceived loss of cultural diversity caused by globalization, modernization, urbanization and the spread of the mass media. Four chapters - one each on China, Korea, Taiwan and Japan - incorporate a foundational overview of preservation policy and practice of musical intangible cultural heritage at the state level. These chapters are complemented by a set of chapters that explore how the practice of policy has impacted on specific musics, from Confucian ritual through Kam big song to the Okinawan sanshin. Each chapter is based on rich ethnographic data collected through extended fieldwork. The team of international contributors give both insider and outsider perspectives as they both account for, and critique, policy, ideology and practice in East Asian music as intangible cultural heritage.
目次
- Contents: Introduction: East Asian music as intangible cultural heritage, Keith Howard
- Intangible cultural heritage in China today: policy and practice in the early 21st century, Helen Rees
- Ee, mang gay dor ga ey (Hey, why don't you sing)? Imagining the future for Kam Big Song, Catherine Ingram
- Strumming the 'lost mouth chord': discourses of preserving the Nuosu-Yi mouth harp, Olivia Kraef
- From transformation to preservation: music and multi-ethnic unity on television in China, Lauren Gorfinkel
- Authenticity and authority: conflicting agendas in the preservation of music and dance at Korea's state sacrificial rituals, Keith Howard
- A tradition of adaptation: preserving the ritual for Paebaengi, Roald Maliangkay
- Lessons from the past: Nanguan/Nanyin and the preservation of intangible cultural heritage in Taiwan, Ying-fen Wang
- Dichotomies between 'classical' and 'folk' in the intangible cultural properties of Japan, Shino Arisawa
- Promoting and preserving the Chichibu Night Festival: the impact of cultural policy on the transmission of Japanese folk performing arts, Jane Alaszewska
- Whose heritage? Cultural properties legislation and regional identity in Okinawa, Matt Gillan
- References
- Index.
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