Cultural appropriation in fashion and entertainment

書誌事項

Cultural appropriation in fashion and entertainment

Yuniya Kawamura, Jung-Whan Marc de Jong

Bloomsbury Visual Arts, 2022

  • : hb

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注記

Includes bibliographical references (p. [191]-213) and index

内容説明・目次

内容説明

Is it ever acceptable to "borrow" culturally inspired ideas? Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the appropriation of race, ethnicity, class, sexuality, and religion embedded in clothing, textiles, jewelry, accessories, hairstyles and tattoos, as well as in entertainment, such as K-pop, Bhangra, and hip-hop. By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.

目次

Preface 1. Introduction - Culture Culture in Classical Social Theory Schools of Thought: Value-laden and Value-neutral Culture Conceptual Tools for Cultural Analysis Outline of the Book Conclusion Suggested Further Reading 2. Academic Studies on Cultural Appropriation Definitions, Processes, and Types Logos, Mascots, and Nicknames Gastronomy and Cuisine Literary Works Adornment Conclusion Suggested Discussion Examples 3. Fashion In Pursuit of Exoticism and Novelty Biological, Cultural, and Sartorial Hierarchies Conceptual Typologies The Strength of Weak Virtual Ties Conclusion Suggested Discussion Examples Suggested Further Reading 4. Entertainment What is Sociological about Entertainment? The Commodification of Culture and the Other Conditions of Cultural Appropriation The Production of Culture in Social Media Age Cultural Hybridization and Cultural Appropriation Conclusion Suggested Discussion Examples 5. Ambivalence and Paradox: Derritorialization and Reterritorialization in the Globalized World Cross-cultural Encounters in a Historical Context Globalization and Deterritorialization Immigration and Cultural Globalization through Mediascapes Culture as Epistemological Relativism: Coexisting with Harmonious Differences Ambivalence in Fashion Globalization Cultural Authentication Process: Cultural Integration and Hybridization Conclusion Suggested Further Reading Conclusion

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