A different trek : radical geographies of Deep Space Nine
著者
書誌事項
A different trek : radical geographies of Deep Space Nine
(Cultural geographies + rewriting the earth / series editors, Paul Kingsbury, Arun Saldanha)
University of Nebraska Press, c2023
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 249-286) and index
収録内容
- Preface: Beyond Uhura, "Beyond Vietnam"
- Acknowledgments
- Abbreviations
- Dramatis Personae
- Introduction: Reading Racial Capitalism from DS9
- 1. The Radical Sisko
- 2. Cardassian Settler Colonialism and the Bajoran Struggle for Decolonization
- 3. Jem'Hadar Marronage and the Dominion "Order of Things"
- 4. Defetishizing the Ferengi
- 5. O'Brien Family Values
- 6. Empire's Queer Inheritances
- Conclusion: "This Darker Thing"
内容説明・目次
内容説明
A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek's tradition of critical social commentary but did so by transgressing many of Star Trek's previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.
Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalized in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different "Trek" is the first scholarly monograph dedicated to a critical interpretation of DS9's allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.
目次
List of Illustrations
List of Tables
Preface: Beyond Uhura, "Beyond Vietnam"
Acknowledgments
Abbreviations
Dramatis Personae
Introduction: Reading Racial Capitalism from DS9
1. The Radical Sisko
2. Cardassian Settler Colonialism and the Bajoran Struggle for Decolonization
3. Jem'Hadar Marronage and the Dominion "Order of Things"
4. Defetishizing the Ferengi
5. O'Brien Family Values
6. Empire's Queer Inheritances
Conclusion: "This Darker Thing"
Notes
References
Index
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