Making congregational music local in Christian communities worldwide
著者
書誌事項
Making congregational music local in Christian communities worldwide
(Congregational music studies series / series editors, Monique Ingalls, Martyn Percy, Zoe C. Sherinian)
Routledge, 2018
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms?
Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.
目次
- Introduction: Music as local and global positioning: how congregational music-making produces the local in Christian communities worldwide, Monique M. Ingalls, Muriel Swijghuisen Reigersberg and Zoe C. Sherinian
- PART I: Engaging musical pasts: continuity and change in congregational song practices
- 1 The saints who sing and dance: enchanting subjunctive visions in Southeast Brazil, Suzel Ana Reily
- 2 Indigenizing Navajo hymns: explaining the fame of Elizabeth and Virginia, Kimberly Jenkins Marshall
- 3 Give us a piece of that Old Time Religion: why mainline Protestants are (re)claiming an evangelical musical heritage, Deborah Justice
- PART II: Congregational music and the politics of indigeneity
- 4 Song as gift and capital: intercultural processes of indigenization and spiritual transvaluation in Yolngu Christian music, Fiona Magowan
- 5 Performing glocal liturgies: the Second Vatican Council and musical inculturation in East Africa,Nicholas Ssempijja
- 6 Inculturation, institutions, and the creation of a localized congregational repertoire in Indonesia, Marzanna Poplawska
- PART III: Rifts, reconciliation, and coexistence: congregational music-making in the diverse locale
- 7 Sounds of localisation in South African Anglican church music: some examples of transformation at the College of the Transfiguration in Grahamstown, Andrew-John Bethke
- 8 Secular-sacred interface: The Lisu farmer chorus and the cultural politics of representation of minority culture in Yunnan's Northwestern Nujiang Prefecture, Diao Ying
- 9 Interreligious music networks: capitalizing on Balinese gamelan, Dustin D. Wiebe
- PART IV: Christian musical cosmopolitanisms:producing the local across racial and national lines
- 10 Congregational song and musical 'accommodation' in a South African Lutheran parish, Laryssa Whittaker
- 11 Mediating racial and spiritual difference in Harlem: Cocolo Japanese Gospel Choir and Convent Avenue Baptist Church, Marti Newland
- 12 Sonic citizenship: rites and rights of belonging in Ireland, Helen Phelan
- Afterword: On the anthropology of Christianity, the complexity of the local, and the study of Christian Congregational Music in global perspective, Joel Robbins
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