Anthropology and radical humanism : Native and African American narratives and the myth of race
著者
書誌事項
Anthropology and radical humanism : Native and African American narratives and the myth of race
Michigan State University Press, c2020
- : cloth
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 221-234) and index
内容説明・目次
内容説明
Paul Radin, famed ethnographer of the Winnebago, joined Fisk University in the late 1920s. During his three-year appointment, he and graduate student Andrew Polk-Watson collected autobiographies and religious conversion narratives from elderly African Americans. Their texts represent the first systematic record of slavery as told by former slaves.
That innovative, subject-centred research complemented like-minded scholarship by African American historians reacting against the disparaging portrayals of black people by white historians. Radin's manuscript focusing on this research was never published. Utilizing the Fisk archives, the unpublished manuscript, and other archival and published sources, this book revisits the Radin-Watson collection and allied research at Fisk. Radin regarded each narrative as the unimpeachable self-representation of a unique, thoughtful individual, precisely the perspective marking his earlier Winnebago work.
As a radical humanist within Boasian anthropology, Radin was an outspoken critic of racial explanations of human affairs then pervading not only popular thinking but also historical and sociological scholarship. His research among African Americans and Native Americans thus places him in the vanguard of the anti-racist scholarship marking American anthropology.
Anthropology and Radical Humanism sets Paul Radin's findings within the broader context of his discipline, African American culture, and his career-defining work among the Winnebago.
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