A dancer in the revolution : Stretch Johnson, Harlem communist at the Cotton Club
Author(s)
Bibliographic Information
A dancer in the revolution : Stretch Johnson, Harlem communist at the Cotton Club
Empire State Editions, an imprint of Fordham University Press, 2014
1st ed
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Timeline": p. xxi-xxiv
Includes index
Description and Table of Contents
Description
The life of Howard Johnson, nicknamed "Stretch" because of his height (6'5"), epitomizes the cultural and political odyssey of a generation of African Americans who transformed the United States from a closed society to a multiracial democracy. Johnson's long-awaited memoir traces his path from firstborn of a multiclass/multiethnic" family in New Jersey to dancer in Harlem's Cotton Club to communist youth leader and, later, professor of Black studies. A Dancer in the Revolution is a powerful statement about Black resilience and triumph amid subtle and explicit racism in the United States.
Johnson's engaging, beautifully written memoir provides a window into everyday life in Harlem-neighborhood life, arts and culture, and politics-from the 1930s to the 1970s, when the contemporary Black community was being formed. A Dancer in the Revolution explores Johnson's twenty-plus years in the Communist Party and
illuminates in compelling detail how the Harlem branch functioned and flourished in the 1930s and '40s. Johnson thrived as a charismatic leader, using the connections he built up as an athlete and dancer to create alliances between communist organizations and a cross-section of the Black community. In his memoir, Johnson also exposes the homoerotic tourism that was a feature of Harlem's nightlife in the 1930s. Some of America's leading white literary, musical, and artistic figures were attracted to Harlem not only for the community's artistic creativity but to engage in illicit sex-gay and straight-with their Black counterparts.
A Dancer in the Revolution is an invaluable contribution to the literature on Black political thought and pragmatism. It reveals the unique place that Black dancers and artists hold in civil rights pursuits and anti-racism campaigns in the United States and beyond. Moreover, the life of "Stretch" Johnson illustrates how political activism engenders not only social change but also personal fulfillment, a realization of dreams not deferred but rather pursued and achieved. Johnson's journey bears witness to critical periods and events that shaped the Black condition and American society in the process.
Table of Contents
Introduction Mark D. Naison Acknowledgments Wendy Johnson PART ONE Ch 1 Early Days Ch 2 Harlem and the Cotton Club Ch 3 Moving Up Ch 4 Show Biz Ch 5 Joining the Party PART TWO Ch 6 The Young Communist League Ch 7 The War Years Ch 8 Back Home Ch 9 La Lucha Continua PART THREE Ch 10 Starting Over Ch 11 Malimwu Ch 12 The Cotton Club Revisited Ch 13 Hawaii's Martin Luther King Day Ch 14 Paris - Texas and Home Again Time Line Howard E. Johnson's Curriculum Vitae Further reading Index
by "Nielsen BookData"