Performing national identity : Anglo-Italian cultural transactions
著者
書誌事項
Performing national identity : Anglo-Italian cultural transactions
(Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 114)
Rodopi, 2008
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographies
内容説明・目次
内容説明
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances-ranging from the scenarios of everyday interactions to 'cultural performances' such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media-that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but something acquired in and through performances.
Particularly important here are intercultural performances and transactions, and that not only in a colonial and postcolonial dimension, where such performative aspects have already been considered, but also in inner-European transactions. 'Englishness' or 'Britishness' and Italianita, the subject of this anthology, are staged both within each culture and, more importantly, in joint performances of difference across cultural borders. Performing difference highlights differences that 'make a difference'; it 'draws a line' between self and other-boundary lines that are, however, constantly being redrawn and renegotiated, and remain instable and shifting.
目次
Manfred PFISTER: Introduction: Performing National Identity
1. Early Modern Literary Exchanges
Werner VON KOPPENFELS: 'Stripping up his sleeves like some juggler': Giordano Bruno
in England, or, The Philosopher as Stylistic Mountebank
Ralf HERTEL: 'Mine Italian brain 'gan in your duller Britain operate most vilely': Cymbeline and the Deconstruction of Anglo-Italian Differences
2. Italian and English Art in Dialogue
John PEACOCK: Inigo Jones and the Reform of Italian Art
Alison YARRINGTON: 'Made in Italy': Sculpture and the Staging of National Identities at the International Exhibition of 1862
3. Travelling Images
Barbara SCHAFF: Italianised Byron - Byronised Italy
Fabienne MOINE: Elizabeth Barrett Browning's Italian Poetry: Constructing National Identity and Shaping the Poetic Self
Stephen GUNDLE: The 'Bella Italiana' and the 'English Rose': Reflections on Two National Typologies of Feminine Beauty
4. Political Negotiations
Pamela NEVILLE-SINGTON: Sex, Lies, and Celluloid: That Hamilton Woman and British Attitudes towards the Italians from the Risorgimento to the Second World War
Peter VASSALLO: Italian Culture versus British Pragmatics: The Maltese Scenario
David FORGACS: Gramsci's Notion of the 'Popular' in Italy and Britain: A Tale of Two Cultures 179
Carla DENTE: Personal Memory / Cultural Memory: Identity and Difference in Scottish-Italian Migrant Theatre
5. Contemporary Mediations
Claudio VISENTIN: The Theatre of the World: British-Italian Identities on the Tourism Stage
Judith MUNAT: Bias and Stereotypes in the Media: The Performance of British and Italian National Identities
Sara SONCINI: Re-locating Shakespeare: Cultural Negotiations in Italian Dubbed Versions of Romeo and Juliet
Mariangela TEMPERA: Something to Declare: Italian Avengers and British Culture in La ragazza con la pistola and Appuntamento a Liverpool
Anthony KING: English Fans and Italian Football: Towards a Transnational Relationship
Greg WALKER: Selling England (and Italy) by the Pound: Performing National Identity in the First Phase of Progressive Rock: Jethro Tull, King Crimson, and PFM
Gisela ECKER: Zuppa Ingleseand Eating up Italy: Intercultural Feasts and Fantasies
Notes on Contributors
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