Shakespeare's dialectic of hope : from the political to the utopian

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Shakespeare's dialectic of hope : from the political to the utopian

Hugh Grady

Cambridge University Press, 2022

  • : hardback

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注記

Includes bibliographical references (p. 231-244) and index

内容説明・目次

内容説明

Closely examining the relationship between the political and the utopian in five major plays from different phases of Shakespeare's career, Hugh Grady shows the dialectical link between the earlier political dramas and the late plays or tragicomedies. Reading Julius Caesar and Macbeth from the tragic period alongside The Winter's Tale and Tempest from the utopian end of Shakespeare's career, with Antony and Cleopatra acting as a transition, Grady reveals how, in the late plays, Shakespeare introduces a transformative element of hope while never losing a sharp awareness of suffering and death. The plays presciently confront dilemmas of an emerging modernity, diagnosing and indicting instrumental politics and capitalism as largely disastrous developments leading to an empty world devoid of meaning and community. Grady persuasively argues that the utopian vision is a specific dialectical response to these fears and a necessity in worlds of injustice, madness and death.

目次

  • Part I. Shakespeare and the Political: 1. Julius Caesar and reified power: the end of Shakespeare's Machiavellian moment
  • 2. Macbeth: a tragedy of force
  • 3. Baroque aesthetics and witches in Macbeth
  • Part II. Shakespeare and the Aesthetic-Utopian: 4. From the political to the aesthetic-utopian in Antony and Cleopatra
  • 5. Tyranny, imagination, and the aesthetic-utopian in The Winter's Tale
  • 6. The political, the aesthetic, and the utopian in The Tempest: enchantment in a disenchanted world.

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