Seán O'Casey : political activist and writer
著者
書誌事項
Seán O'Casey : political activist and writer
Cork University Press, 2023
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 340-367) and index
内容説明・目次
内容説明
On the hundredth anniversary of the production of Sean O'Casey's Dublin plays at the Abbey Theatre, this timely book, Sean O'Casey: Political activist and writer situates O'Casey in the literary and political context of his time. It is written in an accessible style that will appeal to both a general and an academic readership. O'Casey has been widely acknowledged as one of Ireland's foremost dramatists. Drawing on archival material as well as a close reading of his drama, O'Brien examines the influence of the Young Ireland writers, Charles Stewart Parnell, The Gaelic League, and especially the Irish labour leader James Larkin on his development as a writer and a political activist. This book places O'Casey at the centre of Ireland's cultural and political history, charting his involvement in the shaping of modern Ireland, which is interwoven with a political and dramatic critique of post-independent Ireland and the wider world.O'Casey was one of the most political writers of his generation, constantly exploring the frontiers between literature and politics. Like his friend Bernard Shaw, he wrote for a purpose. His life reflects the history of the early twentieth century, a period shaped by two great ideas: nationalism and socialism. History and politics are woven into the fabric of his life and his drama.This book is an engaging and highly original account of one of the finest dramatists of the twentieth century, with a focus on the social and political movements that inspired his writing across the entire span of his career, challenging traditional interpretations that have focused almost exclusively on the three Dublin plays and the dramatic aspect of his life. By placing the working-class at the centre of his drama O'Casey gave a voice to those who are rarely heard: the poor, the dispossessed and the tenement-dweller, whose lives he shaped into works of art.
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