Shakespeare's audiences
著者
書誌事項
Shakespeare's audiences
(Routledge studies in Shakespeare)
Routledge, 2021
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare's audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare's plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare's audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare's audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.
目次
Matteo Pangallo and Peter Kirwan, "Introduction."
Embodied Audiences
Stephanie Shirilan, "Respiratory Sympathy and Pneumatic Community in Shakespeare."
Joe Falocco, "Recovering the Humoral Body through Original Practice Performance."
Jennifer A. Low, "Haptic Experience and Fluid Boundaries: Macbeth and Czech Nationalism at Cesky Krumlov's Revolving Theater."
Constructing Audiences
Romola Nuttall, "The most lamentable Romaine Tragedie of Titus Andronicus and Audiences from the Inns of Court."
Miles Drawdy, "'Cleave the General Ear': Shakespeare and the Cultural Bias of Early American Radio."
Koel Chatterjee, "Indian Shakespeare Cinema and the Active Audience."
Pascale Aebischer, "Gender, Aura, and the Close-Up: Broadcasting Shakespeare for Female Audiences."
Performing Audiences
Edel Lamb, "Shakespeare's Riotous Audiences: Macbeth at Astor Place, 1849."
Adam Sheaffer, "'How novelty may move': Play and the Boundaries of the Play in the New York Shakespeare Festival's Mobile Theatre."
Louise Geddes, "Imagined Theater: Why Fan Audiences Matter."
Observing Audiences
Valerie M. Fazel, "'A vulgar comment will be made of it': YouTube and Robert Weimann's Platea."
Rachael Nicholas, "Shakespeare's Digital School Audience: Agency and Control in the Reception of an RSC Schools' Broadcast."
Emily Lathrop, "For Everybody: Casting, Race, and Audience Engagement in The Public Theater's Mobile Unit."
「Nielsen BookData」 より