On late style : music and literature against the grain
Author(s)
Bibliographic Information
On late style : music and literature against the grain
（Bloomsbury revelations）
Bloomsbury Academic, 2017
- : pb
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Note
"First published in Great Britain 2006, Bloomsbury revelations edition first published 2017"--T.p. verso
Includes bibliographical references and index
Description and Table of Contents
Description
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'A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books
'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times
'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi
'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian
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On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.
Table of Contents
Foreword by Mariam C. Said
Introduction by Michael Wood
1. Timeliness and Lateness
2. Return to the Eighteenth Century
3. Cosifan tutte at the Limits
4. On Jean Genet
5. A Lingering Old Order
6. The Virtuoso as Intellectual
7. Glimpses of Late Style
Notes
Index
by "Nielsen BookData"
