Imagining the divine : art and the rise of world religions
著者
書誌事項
Imagining the divine : art and the rise of world religions
Ashmolean, 2017
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
"19 October 2017-18 February 2018. In partnership with the British Museum"--T.p. verso
Includes bibliographical references and indexes
内容説明・目次
内容説明
Religion has always been a fundamental force for constructing identity, from antiquity to the contemporary world. The transformation of ancient cults into faith systems, which we recognise now as major world religions, took place in the first millennium AD, in the period we call 'Late Antiquity'. Our argument is that the creative impetus for both the emergence, and much of the visual distinctiveness of the world religions came in contexts of cultural encounter. Bridging the traditional divide between classical, Asian, Islamic and Western history, this exhibition and its accompanying catalogue highlights religious and artistic creativity at points of contact and cultural borders between late antique civilisations.
This catalogue features the creation of specific visual languages that belong to five major world religions: Christianity, Judaism, Buddhism, Hinduism and Islam. The imagery still used by these belief systems today is evidence for the development of distinct religious identities in Late Antiquity. Emblematic visual forms like the figure of Buddha and Christ, or Islamic aniconism, only evolved in dialogue with a variety of coexisting visualisations of the sacred. As late antique believers appropriated some competing models and rejected others, they created compelling and long-lived representations of faith, but also revealed their indebtedness to a multitude of contemporaneous religious ideas and images.
目次
- Table of Contents: List of Contributors
- Preface
- Encounters
- Religions in the Roman World
- Gods in Combination
- The Rise of the Image of Christ
- Jewish Art
- Scripture
- Word as Image
- Envisioning the Buddha
- Amulets and Magic
- Maidens and Mothers, Virgins and Lovers
- Vishnu: The Enigmatic Image of a Deity
- Sacred and Imperial Power
- Iconoclasm
- The Emergence of Islamic Art
- Aniconism
- Christianity in the British Isles
- Sacred Space
- Travelling Objects
- Chronological Table
- Map of the World (Britain to India) c.250 AD
- Map of the World (Britain to India) c.850 AD
- Index of Geographical Names
- Index of Personal Names.
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