Postnational memory, peace and war : making pasts beyond borders
Author(s)
Bibliographic Information
Postnational memory, peace and war : making pasts beyond borders
(Memory studies: global constellations / series editor: Henri Lustiger-Thaler, 15)
Routledge, 2020
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [338]-345) and index
Description and Table of Contents
Description
This book examines the phenomenon of modern memory as a reaction to total war, an aspiration to truth-seeking provoked by the independent forces of modern war and collective violence which is transnational, or postnational, in character. Using examples from prose and poetry, film and theatre, painting and photography, and music and the popular arts, the author traces a narrative path through the events of the twentieth century, defining the tradition of modern memory in terms of its essentially anti-militaristic, anti-war character, as expressed in the manner in which it represents recalled violence and atrocity. Through a series of thematic discussions of two world wars, the Shoah, urbicide and nuclear weapons, Postnational Memory explores the formation of transnational memory, drawing on examples from industrialized societies, with a focus on memory of real events and their reproduction in literature and the arts, often including personal recollections that link the self to the represented past. As such, by asking how the concept of modern memory is constructed through the victims of war and genocide, the book constitutes an alternative to national memories and hegemonic, militarist or ethnocentric histories. Surveying the emergence of new, transnational forms of remembering the past, it will appeal to students and scholars of sociology, memory studies and peace studies, as well as those working in disciplines such as modern and international history, cultural studies and military studies.
Table of Contents
- Part 1: Memory and Counter-Memory Prologue Vignette: Being There - A Cotswold Vignette (Adlestrop) Introduction: Defining Modern Memory Vignette: Kennington At Laventie 1. A Memorable Engagement -The War to End War - and its Legacy (inc. Vignette: 'Bradford Pals') 2. The Great Sunk Silences: The Nature of Forgetting and the Unbearable Pain of Recall 3. Memory's New Voice 4. Generations of Memory: War Booms and Memory Booms 5. Strange Meetings and Cosmopolitan Sympathies (inc. Vignette: Eugen Gehweiler, Vignette: 'An Espresso Moment') Part 2: Against Forgetting - Retrieving a Borderless Past 6. Memory after the "Shoah" (inc. Vignette: Being There: Poland: 1988, 1996) 7. Airwar and Memory (inc. Vignette: A Silence, Vignette: 'Bambi'
- 'Belsen and Memory of the Camps') Part 3: Re-Writing Memory 8. Beyond Amnesia: Breaking Silences (inc. Vignette: Benicassim - Raising the Ghosts of Castillon De La Plana) 9. Testimony of Place (inc. Vignette: Walking the Fields of Memory: Germany 1994, France and Flanders (1988 and 1992)) 10. Beyond Militarism? Peace and War in Civil Memory (inc. Vignette: Oh! What a Lovely War! Vignette: A Mass of Memoried Flowers - Poppies and Ploughboys)11. Postnational Memory and National Conflict: Remembrance in a Globalising Society Part 4: Towards a History of Modern Memory 12. Towards a History of Modern Memory I: The Work of the Precursors 13. Towards a History of Modern Memory II: A Memory-Work Timeline 14. The Past in the Present- Metamorphosen (inc. Vignette: Yevgeny Khaldei - The Malleability of Memory and the Reichstag Photo, 1945)
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