Textiles of Timor : island in the woven sea
Author(s)
Bibliographic Information
Textiles of Timor : island in the woven sea
(Fowler Museum textile series / Marla C.Berns ... [et al.], No. 13)
Fowler Museum at UCLA, c2014
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Other contributors: Joanna Barrkman, Anthony B. Cunningham, Anne Finch, Jill Forshee, Roy W. Hamilton, Jean Howe, William Ingram, Willy Daos Kadati, I Made Maduarta, Marie-Louise Nabholz-Kartaschoff, Rosália Elisa Madeira Soares, Yohannes Nahak Taromi, Jose Ximenes
Includes bibliographical references (p. 238-243) and index
Exhibition list: p. 249-250
Description and Table of Contents
Description
Timor has been a divided island at least since the seventeenth century when Dutch and Portuguese colonial empires competed for its control. Despite this fragmentation, the weaving of cloth has remained intimately linked to the cultural history of the Timorese peoples as a whole. Handwoven cotton garments serve as markers of identity and nurture social relationships when they are exchanged.
Women in Timor weave an impressive variety of cloth, routinely combining more weaving techniques than any other region of Southeast Asia. This technical prowess and diversity of design make weaving the most important form of artistic expression in Timor and allow groups as small as individual families to proclaim their unique heritage.
Independence for Timor-Leste (East Timor) in 2002 - following invasion by Indonesia and years of violent warfare (1975-1999) - brought with it more stable conditions and improved access for researchers. Textiles of Timor, Island in the Woven Sea brings together for the first time woven works from all parts of the island, demonstrating that the textile arts form a common foundation uniting Timor's diverse peoples despite the painful history of the country's division.
Table of Contents
Foreword / Marla C. Berns
Acknowledgments / Roy W. Hamilton and Joanna Barrkman
Notes on Nomenclature / Roy W. Hamilton
1. Culture, History, and Weaving in Timor / Roy W. Hamilton
2. Textile Style Ares in Timor / Roy W. Hamilton and Joanna Barrkman with a contribution by Rosalia Elisa Madeira Soares
3. Plants as the Pivot: The Ethnobotany of Timorese Textiles / Anthony B. Cunningham, Willy Doas Kadati, Jose Ximenes, Jean Howe, I Made Maduarta, and William Ingram
4. Early Textiles from Timor / Ruth Barnes
5. Textiles of Oecusse: A Personal Account / Willy Daos Kadati with Anne Finch
6. "She Comes with a Spindle in Her Hand": Biboki Textiles / Joanna Barrkman
7. Malaka Regency: Cloth of the Plain, Cloth of the Hills / Roy W. Hamilton and Yahannes Nahak Taromi
8. Textiles of Suai Loro and Camenaca / Joanna Barrkman
9. Continuity and Change in the Kemak Textiles of Marobo / Joanna Barrkman
10. Alfred Buhler's Collection from Baguia at the Museum der Kulturen, Basel / Marie-Louise Nabholz-Kartaschoff
11. Loss and Return: Personal Stories of Fataluku Weavers / Jill Forshee
Notes to the Text
References Cited
Index
Exhibition List
Contributors
by "Nielsen BookData"