Incomplete : the feminist possibilities of the unfinished film

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書誌事項

Incomplete : the feminist possibilities of the unfinished film

edited by Alix Beeston and Stefan Solomon

(Feminist media histories, 5)

University of California Press, c2023

  • : pbk

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Summary: "This field-defining collection establishes unfinished film projects--abandoned, interrupted, lost, or open-ended--as rich and underappreciated resources for feminist film and media studies. In a series of deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Incomplete recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always-unfinished project of film history, film spectatorship, and film studies"--Provided by publisher

Includes index

内容説明・目次

内容説明

This field-defining collection establishes unfinished film projects-abandoned, interrupted, lost, or open-ended-as rich and underappreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Incomplete recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies.

目次

Contents Editors' Acknowledgments Pathways to the Feminist Incomplete: An Introduction, a Theory, a Manifesto Alix Beeston and Stefan Solomon PART ONE. UNFOUND OBJECTS 1. Never Jane M. Gaines 2. Catastrophic Optimism in the Name of Leontine Maggie Hennefeld 3. Body Parts: Feeling Labor in Early Film Color Katherine Groo PART TWO. REFUSALS AND INTERRUPTIONS 4. Creating the Archive for Incomplete Feminist Cinematic Narratives: The Andean-Amazonian Case Isabel Segui 5. Women (Not) Making Movies under the Popular Unity in Chile (1970-1973) Elizabeth Ramirez-Soto 6. Writing with Jocelyne Saab: Infinite Metamorphoses and Sensitive Variations Mathilde Rouxel PART THREE. IN PROCESS 7. Ins and Outtakes: An Interview Peggy Ahwesh and Leo Goldsmith 8. "They keep moving": Serialized Incompletion in the Work of Leslie Thornton and Lynn Hershman Leeson Stefan Solomon 9. One Long Electrical Cord: Dance, Editing, and the Creative Unfinished Karen Pearlman 10. Shirkers and Its Afterlives: Six Epitaphs for an Incomplete Film Sophia Siddique PART FOUR. POSTHUMOUS RETURNS 11. Kathleen Collins . . . Posthumously Alix Beeston 12. The Fierce, Unfinishable, Feminist Legacies of Helen Hill Karen Redrobe 13. Girls Who Can't Say No: Celebrity Resurrections and the Consent of the Dead Katherine Fusco The Ruined Map, Relinked: A Postscript Giuliana Bruno About the Contributors Index

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