Comics and the world wars : a cultural record
著者
書誌事項
Comics and the world wars : a cultural record
（Palgrave studies in the history of the media）
Palgrave Macmillan, 2015
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注記
Includes bibliographical references (p. 192-207) and index
内容説明・目次
内容説明
This transnational, interdisciplinary study argues for the use of comics as a primary source. In recuperating currently unknown or neglected strips the authors demonstrate that these examples, produced during the World Wars, act as an important cultural record, providing, amongst other information, a barometer for contemporary popular thinking.
目次
- Foreword
- Kent Worcester 1. Introduction 2. A Proposed Theory and Method for the Incorporation of Comic Books as Primary Sources 3. Haselden as Pioneer: Reflecting or Constructing Home Front Opinion? 4. Proto Comics as Trench Record: Anti-Heroism, Disparagement Humour and Citizens' Journalism 5. The Rise and Fall of the World War One Gullible Worker as a Counter Culture 6. Adjusting to Total War: US Propaganda, Commerce and Audience 7. The Cultural Construction of Women: Pin-Ups, Proactive Women and Representation in Combat 8. Collective Culture as Dynamic Record: The Daily Worker 1940-43 9. Conclusion
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