Intersections of race, class, gender, and nation in fin-de-siècle Spanish literature and culture
著者
書誌事項
Intersections of race, class, gender, and nation in fin-de-siècle Spanish literature and culture
(New hispanisms: cultural and literary studies)
Routledge, 2017
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This volume focuses on intersections of race, class, gender, and nation in the formation of the fin-de-siecle Spanish and Spanish colonial subject. Despite the wealth of research produced on gender, social class, race, and national identity few studies have focused on how these categories interacted, frequently operating simultaneously to reveal contexts in which dominated groups were dominating and vice versa. Such revelations call into question metanarratives about the exploitation of one group by another and bring to light interlocking systems of identity formation, and consequently oppression, that are difficult to disentangle. The authors included here study this dynamic in a variety of genres and venues, namely the essay, the novel, the short story, theater, and zarzuelas. These essays cover canonical authors such as Benito Perez Galdos and Emilia Pardo Bazan, and understudied female authors such as Rosario de Acuna and Belen Sarraga. The authors included here study this dynamic in a variety of genres and venues, namely the essay, the novel, the short story, theater, and zarzuelas. The volume builds on recent scholarship on race, class, gender, and nation by focusing specifically on the intersections of these categories, and by studying this dynamic in popular culture, visual culture, and in the works of both canonical and lesser-known authors.
目次
CONTENTS
Introduction: Intersections of Race, Class, Gender, and Nation in Fin-de-Siecle Spain
Jennifer Smith and Lisa Nalbone
PART I TRANSATLANTIC RELATIONS
1. Challenging Pasts, Exploring Futures: "Race," Gender, and Class in the Fin-de-siecle Essays of Rosario de Acuna, Concepcion Gimeno de Flaquer, and Belen Sarraga
Christine Arkinstall
2. Domesticating Cuba: Romantic Liaisons and Imperial Power in Spanish Zarzuela
Mar Soria
3. Racism in "Yankilandia": Emilia Pardo Bazan and the Global Color Line
Christy Presson Shaughnessy
PART II RACIAL RECUPERATION AND RACIAL OTHERNESS
4. Racial Identity, Social Critique, and Class Dynamics in Pardo Bazan's Una prueba-La Cristiana and El becerro de metal
Maryellen Bieder
5. Good and Bad Fusion in Emilia Pardo Bazan's El becerro de metal (1906)
Margot Versteeg
6. "Playing Japanese" in Fin-de-siecle Zarzuela
David R. George, Jr.
PART III. SPANISH NATIONAL IDENTITIES
7. The Unbearable Lightness of Being a Nation in Galdos's Early Historical Fiction
Toni Dorca
8. Realism, Fantasy, and the Gendered Trope of Colonial Relations in Galdos's Fiction
Mary Coffey
9. Rewriting Carmen in Pardo Bazan's Insolacion: Subversions of "Race," Gender, and Class
Carmen Pereira-Muro, Translation by Holly Villines
「Nielsen BookData」 より