Acting (re)considered : a theoretical and practical guide
著者
書誌事項
Acting (re)considered : a theoretical and practical guide
（Worlds of performance）（Routledge/TDR series）
Routledge, 2002
2nd ed
- : pbk
- タイトル別名
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Acting reconsidered : a theoretical and practical guide
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注記
Description based on 2011 printing
Previous ed.: 1995
"edited by Phillip B. Zarrilli"--Cover
Includes bibliographical references (p. 363-388) and index
内容説明・目次
内容説明
Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present.
The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as:
* how we think and talk about acting
* acting and emotion
* the actor's psychophysical process
* the body and training
* the actor in performance
* non-Western and cross-cultural paradigms of the body, training and acting.
Acting (Re)Considered is vital reading for all those interested in performance.
目次
- Chapter 1 GENERAL INTRODUCTION, Phillip B. Zarrilli
- Part 1 THEORIES OF AND MEDITATIONS ON ACTING
- Chapter 2 INTRODUCTION, Phillip B. Zarrilli
- Chapter 3 THE ACTOR'S PRESENCE, Bert O. States
- Chapter 4 ON ACTING AND NOT-ACTING, Michael Kirby
- Chapter 5 JUST BE YOUR SELF, Philip Auslander
- Chapter 6 THE ACTOR'S EMOTIONS RECONSIDERED, Elly Konijn
- Part 2 (RE)CONSIDERING THE BODY AND TRAINING
- Chapter 7 INTRODUCTION, Phillip B. Zarrilli
- Chapter 8 AN AMULET MADE OF MEMORY, Eugenio Barba
- Chapter 9 MEYERHOLD'SETIENNE DECROUX'S PROMETHEAN MIME, Deidre Sklar
- Chapter 11 ACTOR TRAINING IN THE NEUTRAL MASK, Sears A. Eldredge, Hollis W. Huston
- Chapter 12 BALI AND GROTOWSKI, I Wayan Lendra
- Chapter 13 CULTURE IS THE BODY, Tadashi Suzuki
- Chapter 14 MY BODIES, Kathy Foley
- Chapter 15 ON THE EDGE OF A BREATH, LOOKING, Phillip B. Zarrilli
- Chapter 16 THE GARDZIENICE THEATRE ASSOCIATION OF POLAND, Paul Allain
- Chapter 17 EFFECTOR PATTERNS OF BASIC EMOTIONS, Susana Bloch, Pedro Orthous, Guy Santibanez-H
- Part 3 (RE)CONSIDERING THE ACTOR IN PERFORMANCE
- Chapter 18 INTRODUCTION, Phillip B. Zarrilli
- Chapter 19 BRECHT AND THE CONTRADICTORY ACTOR, John Rouse
- Chapter 20 DARIO FO, Ron Jenkins
- Chapter 21 FORUM THEATRE, Augusto Boal
- Chapter 22 RESISTING THE ORGANIC, Lauren Love
- Chapter 23 RACHEL ROSENTHAL CREATING HER SELVES, Eelka Lampe
- Chapter 24 TASK AND VISION, Philip Auslander
- Chapter 25 DAVID WARRILOW, Laurie Lassiter
- Chapter 26 ROBERT WILSON AND THE ACTOR, Ellen Halperin-Royer
- Chapter 27 ANNA DEAVERE SMITH
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