Miscellaneous works H. 301-367
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書誌事項
Miscellaneous works H. 301-367
（Opera Omnia / Francesco Geminiani ; general editor, Christopher Hogwood, v. 11）
Ut Orpheus, c2024
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注記
Italian (18th-19th work), English (20th, 36th-43rd, 48th-50th, and 52nd), and French (21st-27th) words; also printed as text
Prefatory matter in English
Critical commentary in English: p. 236-264, 267-280
収録内容
- Miscellaneous concertos (H. 301). Concerto (1), in D minor (Select harmony, third collection, 1735) (H. 301)
- Miscellaneous sonatas (H. 311-317). Sonata (1) 'a violino solo senza basso', in B-flat major, (reconstruction) (H. 311)
- Sonata (2) ('sinfonia') for violin and figured bass, in D major (MS S-Skma) (H. 312)
- Sonata (3) for violin and figured bass, in D major (Six solos, 1730, Three solos, c. 1778) (H. 313)
- Sonata (4) for violin and figured bass, in C minor (Hawkins, General history, V, 1776) (H. 314)
- Sonata (5) for violin and figured bass, in A major, after Corelli's sonata op. 5 no. IX (Hawkins, General history, V, 1776) (H. 315)
- Sonata (6) for violin and unfigured bass, in G Minor (Three solos, c. 1778) (H. 316)
- Sonata (7) for violin and unfigured bass, in D major (Three solos, c. 1778) (H. 317)
- Miscellaneous variations (H. 321-324). Variations on the Minuet in C minor for violin and figured bass (MSS GB-Ob, US-Npm) (H. 321)
- Variations on the Minuet, in G minor for violin and unfigured bass (MSS GB-DRc, GB-NTp) (H. 322)
- Variations on 'Salley in our Alley' for violin and figured bass, in D major : (second version, MSS GB-Lfom, US-Wc) (H. 323b)
- Variations on 'Salley in our Alley' for violin and figured bass, in D major : (third version, figured bass only, MS US-NYpm) (H. 323c)
- Variations on the Sarabanda from Corelli's sonata op. 5 no. VII for violin, harpsichord, and figured bass, in D minor : (MSS GB-DRc, GB-Lcm) (H. 324)
- Miscellaneous movements (H. 331-333). Musette for treble and bass, in D major (The celebrated comic tunes, vol. II, 1742) (H. 331)
- Minuet 'The tender lover' : for two violins and figured bass, in F major (reconstruction) (H. 332)
- Canone (in three parts), in G major (A collection of marches & airs, 1761) (H. 333)
- Miscellaneous keyboard works (H. 341). (Affettuoso), for keyboard, in G minor-major (MS GB-AB) (H. 341)
- Vocal works (H. 351-353). (Cantata), "Nella stagione appunto" : for soprano and figured bass (MS I-Bc) (H. 351)
- Aria, "Primo Cesare Ottomano" : for soprano, strings, and figured bass (Musica antiqua 1812) (H. 352)
- 'The sympathizing heart', "When young Milanda's fingers move" : for voice and figured bass (The British musical miscellany, vol. III, 1735) (H. 353)
- Masonic songs (H. 361-367). 'Chanson des aprentifs', "Frères et compagnons" : (Chansons originaires, 1747, 1749) (H. 361)
- 'Chanson des compagnons', "Art divin, l'être suprème" : (Chansons originaires, 1747, 1749) (H. 362)
- 'Chanson des surveillans', "Adam à sa postérité" : (Chansons originaires, 1747, 1749) (H. 363)
- 'Chanson des maîtres', "Tous de concert, chantons" : (Chansons originaires, 1747, 1749) (H. 364)
- 'Choeur après l'ouvrage', "Buvons, buvons" : (Chansons originaires, 1747, 1749) (H. 365)
- 'Chanson nouvelle sur l'ordre des Francs-maçons', "Accordés-nous de votre suffrage" : (Chansons originaires, 1747, 1749) (H. 366)
- 'Apologie des Francs-Maçons', "Quoi, mes Frères, souffrirés-vous" : (Chansons originaires, 1749) (H. 367)
- Appendix. Arrangementes of Geminiani's minuet in D major, from his miscellaneous sonata (2). 'Sigr. Geminiani's minuet with his (= Dubourg's) Graces' : (the third book of The most celebrated jiggs, 1730) / Matthew Dubourg
- 'Geminiani's trumpet seranade' : (Musica bellicosa, 1730)
- 'Minuet' (Nussen, Musica di camera, op. 3, 1761) / Frederick Nussen
- 'Minuet with variations' (The musical magazine, vol. I, 1767) / Lewis Granom
- 'Menuet anglais' (Cardon, Recueil d'airs variés, op. 9, 1787) / Jean-Baptiste Cardon
- 'Air-- Sigr. Geminiani' (MS GB-Lfom)
- 'Minuet -- Sigr. Geminiani' (MS GB-Lfom)
- 'Mr. Geminiani's minuet' (MS GB-Lcm)
- 'A new song, to a favourite air compos'd by Sigr. Geminiani', "Gently touch the warbling lyre" : (c. 1725)
- 'Signior Geminiani's minuet', "Gently touch the warbling lyre" : (The musical miscellany, 1729)
- 'A Burlesque to Geminiani's minuet', "Gently stir and blow the fire" : (The British musical miscellany, vol. I, 1734)
- 'The tragical history of the life and death of Billy Pringle's pig' : (1783?)
- 'A glee', "Gently touch the warbling lyre" : (Hayes, Catches, glees and canons, 1757) / William Hayes
- "Oft does hymen smile to hear" : (The duenna, 1775) / (William Hayes)
- "Gently touch the warbling Lyre" : (Ross, Select collection of lessons, c. 1780) / Robert Ross
- "Gently touch the warbling lyre" : (Jones, The musical bouquet, 1799) / Edward Jones
- Arrangements of Geminiani's minuet in G minor, from his miscellaneous sonata (6). 'Minuet 23' (A general collection of minuets, 1729)
- 'Minuet by Mr. Geminiani' : (The lady's banquet, second book, 1733)
- 'Geminiani's minuet' : (The complete flute master, c. 1745)
- 'Minuett no. 2' (MS BG-Lbl)
- 'The rapture', "When I survey Clarinda's charms" : (The musical miscellany. vol. III, 1730)
- 'The Girdle', "That which her slender waist confined" : (Amaryllis, vol. II, 1749)
- Other appendix. 'Salley in our alley', "Of all the girls that are so smart" : (Carey, Works, 1728) / Henry Carey
- Variations on the sarabanda from Corelli's sonata op. 5 no. VII for transverse flute and figured bass (MS GB-Lbl)
- 'The tender lover', "In vain you tell your parting lover" : (The monthly melody, 1760)