{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BD09944114.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BD09944114#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BD09944114.json"},"dc:title":[{"@value":"The Routledge companion to race in early modern artistic, material, and visual production"}],"dc:creator":"edited by Nicholas R. Jones, Christina H. Lee, and Dominique E. Polanco","dc:publisher":[{"@value":"Routledge"}],"dcterms:extent":"pages cm","dc:language":"eng","dc:date":"2025","cinii:ncid":"BD09944114","cinii:ownerCount":"1","foaf:maker":[{"@type":"foaf:Person","foaf:name":[{"@value":"Jones, Nicholas R."}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Lee, Christina H."}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Polanco, Dominique E."}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA003691","@type":"foaf:Organization","foaf:name":"琉球大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.u-ryukyu.ac.jp/opc/xc/search/*?os[isbn]=BD09944114"}}],"bibo:lccn":["2024046291"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2024046291"}],"prism:publicationDate":["2025"],"cinii:note":["Content Type: text (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier)","Includes bibliographical references and index","Summary:\"This companion analyzes, frames, and provokes race in insightful ways that center non-white communities' artistic and visual expression in the early modern period, rather than presenting the bias of European artistic and visual depictions of the colonization, enslavement, and subordination of People of Color. The organization of the book moves chronologically, taking a conceptual and thematic framework. This collection will provide a spectrum of object-based case studies of artistic production-objects and object-types-from six continents between the 1400s to 1800s. Contributions take an art historical approach characterized by close analysis of form, function, and meaning, with a particular focus on questions of cross-cultural dialog and provenance. Additionally, there is an emphasis on material culture. The book will be of interest to scholars working in African diaspora studies, art history, visual culture, material culture, Indigenous studies, Renaissance studies, early modern studies, and race an"],"dc:subject":["LCC:NX650.R34","DC23:701/.03","DC23:701.03"],"cinii:relation":[{"@id":"https://ci.nii.ac.jp/ncid/BD14592413#entity","dc:title":"The Routledge companion to race in early modern artistic, material, and visual production","cinii:ncid":"BD14592413"}],"cinii:contentOfWorks":["African women in Rembrandt's work / Stephanie Archangel","Case studies of the colonial chapels of multiethnic Yucatec neighborhoods / María de Guadalupe Suárez Castro","Mapping race or nation in the Kingdom of Hawaiʻi / Stacy L. Kamehiro"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Race+awareness+in+art","dc:title":"Race awareness in art"}],"dcterms:hasPart":[{"@id":"urn:isbn:9781032312163"}]}]}