Music, a connected art : die Illusion der absoluten Musik : a festschrift for Jürgen Thym on his 80th birthday
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Bibliographic Information
Music, a connected art : die Illusion der absoluten Musik : a festschrift for Jürgen Thym on his 80th birthday
（Collection d'études musicologiques = Sammlung musikwissenschaftlicher Abhandlungen, volume 103）
Valentin Koerner, 2023
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Content Type: text (ncrcontent), Media Type: unmediated (ncrmedia), Carrier Type: volume (ncrcarrier)
English and German
Includes bibliographcial references and index (pages 357-365)
Contents of Works
- Editor's introduction
- On the origin of music : a hypothesis / Ulrich J. Blomann
- Warum wir hören, was wir hören : Neuropsychologische Aspekte musikalischer Wahrnehmung / Wilfried Gruhn
- Why the concert didn't die, Mr. Gould; or, Musicology's multimodal problem / Michael Broyles
- The musical cryptography of Niels Gade, or, What's in a name? / R. Larry Todd
- "Morgenrot und Schwarze Hand" - "Petersil und Suppenkraut" : die prosodische Parodierung als Kontrafaktur ohne Musik in einem Werk des jüdischen Dichters Manfred Winkler / Hanns-Werneer Heister
- "Der Sänger der Machtergreifung" : Joseph Maria Müller-Blattau und die totgeschwiegene Melodieausgabe des Rostocker Liederbuchs / Hartmut Möller
- Translating a Winter's journey : crossing cultural boundaries / Susan Youens
- The gardens of Alcinous : Schubert's dream and non-dream / Lorraine Byrne Bodley
- Poetic endings and song endings in "Gute Nacht" and "Der Leiermann" from Schubert's Winterreise / Yonatan Malin
- "Und ringt die Hände" : on hidden labors / Seth Brodsky
- Hermeneutical views of John Cage : two snapshots / Rob Haskins
- On colliding with the chorale in Robert Schumann's "Anfangs wollt' ich fast verzagen" / Jennifer Ronyak
- "Whose spinnrad is it anyway!?" : deconstructing gender specificity in art-song performance / Matthew Valverde
- Two responses to Eichendorff's "Nachtblume" : a comparison of settings by Fanny Hensel and Hugo Wolf / Harald Krebs
- In praise of simplicity: Marie Hinrichs's op. 1, Neun Gesänge / Stephen Rodgers
- Remembering the "Tempest"-Sonata controversy / Albrecht Riethmüller
- Faustian identities : reimagining a myth in twenty-first-century opera / Caroline Ehman
- Nachhall der Kriege im Osten. Von Monteverdi bis zur Gegenwart / Frieder Reininghaus
- I remember it well : faulty memory and the Broadway musical / Kim H. Kowalke
- "Here am I, your special island" : stage musicals vs. screen adaptations / Rufus Hallmark
- Simone Vesi's Vesper music in Lübeck, Stockholm, and Bologna / Kerala J. Snyder
- Gegenliebe : the reciprocal love between Beethoven and the orchestra of the theater an der Wien / Theodore Albrecht
- Teaching Beethoven post-2020 / Mary Natvig
- Music's connections : experiences in the classroom / Ralph P. Locke
- Bach and the art of diminution / David Beach
- Will the real F. Mendelssohn please stand up? : a source study / Marie Rolf
- Friedrich Theodor Vischer, Louise Otto, and the Nibelungs / David B. Levy
- William Albright's Juba for organ : idiomatic gesture and organ design / Douglas Reed
