{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BD13343945.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BD13343945#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BD13343945.json"},"dc:title":[{"@value":"At the limits of the gaze"}],"dc:creator":"selected writings by Takuma Nakahira ; edited and translated by Daniel Abbe and Franz Prichard","dc:publisher":[{"@value":"Aperture"}],"dcterms:extent":"160 pages","cinii:size":"21 cm","dc:language":"eng","dc:date":"2025","cinii:ncid":"BD13343945","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA03882733#entity","@type":"foaf:Person","foaf:name":[{"@value":"中平, 卓馬 "},{"@value":"ナカヒラ, タクマ","@language":"ja-hrkt"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Abbe, Daniel"}]},{"@id":"https://ci.nii.ac.jp/author/DA19657102#entity","@type":"foaf:Person","foaf:name":[{"@value":"Prichard, Franz"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA023837","@type":"foaf:Organization","foaf:name":"東京都写真美術館 図書室","rdfs:seeAlso":{"@id":"http://library.topmuseum.jp/mylimedio/search/search.do?mode=comp&taget=local&ncid=BD13343945"}}],"bibo:lccn":["2025024265"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2025024265"}],"prism:publicationDate":["2025"],"cinii:note":["Content Type: text (ncrcontent), Media Type: unmediated (ncrmedia), Carrier Type: volume (ncrcarrier)","Includes index","Summary: \"The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking\"--Provided by publisher"],"dc:subject":["LCC:TR185"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Nakahira%2C+Takuma%2C+1938-2015","dc:title":"Nakahira, Takuma, 1938-2015"},{"@id":"https://ci.nii.ac.jp/books/search?q=Photography","dc:title":"Photography"},{"@id":"https://ci.nii.ac.jp/books/search?q=Photography+--+Social+aspects","dc:title":"Photography -- Social aspects"},{"@id":"https://ci.nii.ac.jp/books/search?q=Photography+--+Political+aspects","dc:title":"Photography -- Political aspects"},{"@id":"https://ci.nii.ac.jp/books/search?q=Literature+and+photography","dc:title":"Literature and photography"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BB13922110#entity","dc:title":"Aperture ideas : writers and artists on photography","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9781597115780"}]}]}