Ozu & the ethics of indeterminacy
著者
書誌事項
Ozu & the ethics of indeterminacy
Duke University Press, 2026
- : hardcover
- タイトル別名
-
Ozu and the ethics of indeterminacy
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Content Type: text (ncrcontent), Media Type: unmediated (ncrmedia), Carrier Type: volume (ncrcarrier)
Summary: "Ozu and the Ethics of Indeterminacy re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu (1903-1963), repositioning Ozu within contemporary discussions to explore cinema's relationship to the world and the formation of cinema studies as a discipline. Centering a small selection of Ozu films in each chapter, Miyao highlights the methodological choices of a single filmmaker while critiquing the deep-rooted culturalism and marginalization witnessed in the study of Japanese cinema. By analyzing the visual elements and cinematic context of Ozu's films as vehicles of a certain kind of ethics, Miyao interrogates the stakes of filmmaking as a genre. He theorizes nationalism and transnationalism within filmmaking, initiating a multi-directional dialogue on the study of cinema that reaches beyond auteurism and culturalism to establish a new basis for disciplinary conversations"--Provided by publisher
Includes bibliographical references (pages [243]-262) and index
収録内容
- Cinema & the ethics of indeterminacy : introduction
- Cats & the gaze of things : record of a tenement gentleman (Nagaya shinshiroku, 1947)
- Coca-Cola & "Asian cinema" : Late Spring (Banshun, 1949)
- Camera movements & ethics : Early Summer (Bakushū, 1951) and The Flavor of green tea over rice (Ochazuke no aji, 1952)
- Clocks & melodrama : Tokyo story (Tokyo monogatari, 1953)
- Color environment & red : Floating weeds (Ukikusa, 1959)
