{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BD18564806.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BD18564806#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BD18564806.json"},"dc:title":[{"@value":"Instagrammable : what art tells us about social media"}],"dc:creator":"Koenraad Jonckheere","dc:publisher":[{"@value":"Hannibal"},{"cinii:publisherRole":"copyright_notice_date"}],"dcterms:extent":"311 pages","cinii:size":"22 cm","dc:language":"eng","dc:date":"2024","cinii:ncid":"BD18564806","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA16181108#entity","@type":"foaf:Person","foaf:name":[{"@value":"Jonckheere, Koenraad"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Logan, Sandy"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA007670","@type":"foaf:Organization","foaf:name":"同志社大学 図書館","rdfs:seeAlso":{"@id":"https://doors.doshisha.ac.jp/opac/opac_openurl/?ncid=BD18564806"}}],"bibo:lccn":["2025372119"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2025372119"}],"prism:publicationDate":["[2024]","c2024"],"cinii:note":["Content Type: text (rdacontent), still image (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier)","\"Translation, Sandy Logan\"--Colophon","Summary: \"What is the relationship between the Holy Trinity and social media? How do hashtags influence us? Why are we so inclined to use filters? Why do we treat digital images differently than analogue ones? Art history offers a beginning of answers. Instagrammable explores the paradox of looking without seeing and seeing without looking. Koenraad Jonckheere examines trust in and distrust of images, drawing on 2,500 years of thinking about visual art. In eleven chapters, he examines the world of digital images through numerous intriguing examples from art history\"--Publisher information"],"dc:subject":["LCC:N72.S6","DC23:701"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Art+and+society","dc:title":"Art and society"},{"@id":"https://ci.nii.ac.jp/books/search?q=Social+media+and+society","dc:title":"Social media and society"},{"@id":"https://ci.nii.ac.jp/books/search?q=Art+et+soci%C3%A9t%C3%A9","dc:title":"Art et société"},{"@id":"https://ci.nii.ac.jp/books/search?q=M%C3%A9dias+sociaux+et+soci%C3%A9t%C3%A9","dc:title":"Médias sociaux et société"},{"@id":"https://ci.nii.ac.jp/books/search?q=Art+and+the+Internet","dc:title":"Art and the Internet"},{"@id":"https://ci.nii.ac.jp/books/search?q=Art+--+Philosophy","dc:title":"Art -- Philosophy"},{"@id":"https://ci.nii.ac.jp/books/search?q=Social+media+--+Philosophy","dc:title":"Social media -- Philosophy"}],"dcterms:hasPart":[{"@id":"urn:isbn:9789464941531"}]}]}