{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BD1993554X.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BD1993554X#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BD1993554X.json"},"dc:title":[{"@value":"Music-dance : sound and motion in contemporary discourse"}],"dc:creator":"edited by Patrizia Veroli and Gianfranco Vinay","dc:publisher":[{"@value":"Routledge"}],"dcterms:extent":"xxi, 268 pages","cinii:size":"24 cm","dc:language":"eng","dc:date":"2019","cinii:ncid":"BD1993554X","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DB00619295#entity","@type":"foaf:Person","foaf:name":[{"@value":"Veroli, Patrizia"}]},{"@id":"https://ci.nii.ac.jp/author/DA1235221X#entity","@type":"foaf:Person","foaf:name":[{"@value":"Vinay, Gianfranco"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001925","@type":"foaf:Organization","foaf:name":"東京芸術大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.geidai.ac.jp/opc/recordID/catalog.bib/BD1993554X"}}],"prism:publicationDate":["2019"],"cinii:note":["Content Type: text (ncrcontent), Media Type: unmediated (ncrmedia), Carrier Type: volume (ncrcarrier)","Includes bibliographical references and index"],"dc:subject":["LCC:ML3858"],"cinii:contentOfWorks":["Identifying \"choreomusical research\" / Inger Damsholt","Choreomusicology beyond \"formalism\": a gestural analysis of Variations for orchestra (Stravinsky-Balanchine, 1982) / Massimiliano Locanto","Ways of knowing: social dance, music, and grounded cognition / Lawrence M. Zbikowski","Acts of transformation: strategies for choreographic intervention in Mark Morris's settings of existing music / Stephanie Jordan","Reflecting on time while moving: dance notations from the nineteenth to the twenty-first century / Claudia Jeschke","Is choreo-graphy a matter of time or space? For an epistemology of perception through dance notation history / Marina Nordera","Finding the body in twentieth-century musical notation: on gestures, \"hypertablatures\", and performing without instruments / Nicolas Donin","Experimental relations between music and dance since the 1950's: sketch of a typology / Julia H. Schröder","When the composer's artistic aims clash with the choreographer's autonomy: Sylvano Bussotti, Aurel Milloss, and the \"choreographic mystery\" Raramente (1970-71) / Ulrich Mosch","Remembering folklore, staging contemporary dance: conceptual and methodological issues about D'après une histoire vraie (2013) by Christian Rizzo / Susanne Franco","Empathic entanglements: music, motion, dance / Eric F. Clarke","Motormimetic features in musical experience / Rolf Inge Godøy","Hearing touch and the art of kinaesthetic crossmodality / Dee Reynolds","Aethetics, neuroaesthetics and embodiment: theorising performance and technology / Susan Broadhurst","Computational models of expressive movement qualities in dance / Antonio Camurri"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Music+and+dance","dc:title":"Music and dance"},{"@id":"https://ci.nii.ac.jp/books/search?q=Music+--+Philosophy+and+aesthetics","dc:title":"Music -- Philosophy and aesthetics"},{"@id":"https://ci.nii.ac.jp/books/search?q=Dance+--+Philosophy","dc:title":"Dance -- Philosophy"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BB21204167#entity","dc:title":"Musical cultures of the twentieth century","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9780367884598","dc:title":": pbk"}]}]}