三浦 雅展 MIURA MASANOBU

ID:9000004378929

龍谷大学理工学部 (2012年 CiNii収録論文より)

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Articles:  1-20 of 47

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  • Automatic Composition and Arrangement for Music Excerpts Based on the Theory of Harmony(<Special Issue>Information Processing Supports Creation of Music)  [in Japanese]

    MIURA Masanobu , EMURA Norio

    SYSTEMS, CONTROL AND INFORMATION 56(5), 213-218, 2012

    J-STAGE  References (23)

  • Recent studies on computer-based composition and arrangement  [in Japanese]

    Emura Norio , Miura Masanobu

    THE JOURNAL OF THE ACOUSTICAL SOCIETY OF JAPAN 67(6), 233-238, 2011

    J-STAGE  References (17)

  • Evaluating proficiency of chord performance on the guitar to support practice using fuzzy analytic hierarchy process  [in Japanese]

    Kazumori Yasuhiro , Emura Norio , Miura Masanobu

    ファジィ階層化意思決定法(ファジィAHP)は,評価項目の測度にファジィ測度を適用することで,加重和による評価だけでなく,代替的,補完的などの非加法的な評価が可能な意思決定手法である。この研究では,MIDIギターを用いたコード演奏を対象とし,ファジィAHPに基づいた演奏熟達度の評価手法を提案している。評価実験の結果,提案手法は,被験者7名の主観評価とr^^-=0.50(n=200)の相関が確認されて …

    THE JOURNAL OF THE ACOUSTICAL SOCIETY OF JAPAN 66(9), 431-439, 2010

    J-STAGE  References (13)

  • Automatic evaluation of performance proficiency of one-octave major scales using the piano  [in Japanese]

    Miura Masanobu , Emura Norio , Akinaga Seiko , Yanagida Masuzo

    ピアノを用いた1オクターブの上下行長音階演奏に対する自動評価について述べている。音階演奏の客観的な評価基準を求めるために,種々の音階演奏の5名の専門家による適切性の主観評価とその演奏のMIDI記録の関係を求めている。記録されたピアノ演奏に含まれる打鍵タイミング,打鍵強度(ヴェロシティ),及び押鍵時間長について,音階演奏に含まれる逸脱のスプライン補間曲線を求め,得られた曲線の特徴から,当該演奏の特徴 …

    THE JOURNAL OF THE ACOUSTICAL SOCIETY OF JAPAN 66(5), 203-212, 2010

    J-STAGE  References (17)

  • Panel Discussion : Are you satisfied even if you just create/construct or examine/investigate?  [in Japanese]

    MIURA Masanobu , EMURA Norio , KITAHARA Tetsuro , WAKATSUKI Naoto , FUJISHIMA Takuya , NISHIGUCHI Isoharu , HIRATA Keiji , YANAGIDA Masuzo , GOTO Masataka

    SIGMUS (IPSJ Special Interest Group on MUSic and computer) and MA (ASJ Technical Committee on Musical Acoustics) have published a variety of scientific studies concerning music. In this panel discussi …

    IPSJ SIG Notes 78, 59-66, 2008-12-12

    References (3)

  • Chord estimation system using chromatic profiles and chord progression database  [in Japanese]

    KONOKI Yasushi , EMURA Norio , MIURA Masanobu

    This paper describes a system that estimates a chord label in real-time for sounds played with several electric guitars. Authors had constructed a chord estimation system for MIDI signals in previous …

    IPSJ SIG Notes 77, 53-58, 2008-09-15

    References (10)

  • A system yielding the optimal chord-form sequence on the guitar  [in Japanese]

    Emura Norio , Sawayama Koji , Miura Masanobu , Yanagida Masuzo

    ギター演奏においてコード列演奏は最も基本的な演奏形態の一つである。本論文では,ギター初心者を対象とし,入力されたコード列に対して,押弦時の指配置やコードチェンジ時の指の動きに対する負荷が最も軽くなるコードフォーム列を,実演奏時のミスの量から最小2乗法によって求めた負荷値に基づいて奏者に応じて決定するシステムについて述べている。本システム及びコードブックによるコードフォーム列に対する実演奏の押弦失敗 …

    THE JOURNAL OF THE ACOUSTICAL SOCIETY OF JAPAN 64(2), 73-83, 2008

    J-STAGE  References (14) Cited by (1)

  • Automatic Music Generation from Photo Images  [in Japanese]

    TOYODA Mika , EMURA Norio , MIURA Masanobu , YANAGIDA Masuzo

    Though, recent mailer systems have facilities to send images and sounds together with mail bodies, it is almost impossible to send original music through cellular phones. In case of using cellular pho …

    IEICE technical report 105(556), 43-48, 2006-01-20

    References (3)

  • AMOR: A System for Yielding Harmony to Given Melodies of Popular Styles  [in Japanese]

    MIURA MASANOBU , AOYAMA YOKO , TANIGUCHI HIKARU , AOI AKIHIRO , OBANA MITSURU , YANAGIDA MASUZO

    Described is an extended system of SDS, Soprano Donnee System, that generates all the allowable solutions, or lower three parts, i.e. sets of alto, tenor and bass, for any given soprano sequences base …

    IPSJ journal 46(5), 1176-1187, 2005-05-15

    IPSJ  References (22) Cited by (4)

  • Automatic Scoring of Melodies Sung by Humming  [in Japanese]

    ONJI Masahide , SHIMIZU Jun , MIURA Masanobu , YANAGIDA Masuzo

    日本音響学会研究発表会講演論文集 2005(1), 597-598, 2005-03-08

    References (3) Cited by (1)

  • A Study for Extracting Characteristics of Chord-Sequences for Popular Music  [in Japanese]

    MIURA Masanobu , EMURA Norio , YANAIGDA Masuzo

    日本音響学会研究発表会講演論文集 2005(1), 585-586, 2005-03-08

    References (8)

  • A feasibility study on theoretical restrictions for inversion types of chords in a chord progression  [in Japanese]

    EMURA Norio , MIURA Masanobu , YANAGIDA Masuzo

    日本音響学会研究発表会講演論文集 2005(1), 583-584, 2005-03-08

    References (8)

  • Least-squares estimation of difficulties in individual techniques for playing chord sequences on a guitar  [in Japanese]

    SAWAYAMA Koji , EMURA Norio , MIURA Masanobu , YANAGIDA Masuzo

    日本音響学会研究発表会講演論文集 2005(1), 573-574, 2005-03-08

    References (5)

  • Relationship between Subjective and Objective Evaluation on Exercises for the Piano Performance  [in Japanese]

    AKINAGA Seiko , EMURA Norio , MIURA Masanobu , YAMAGIDA Masuzo

    日本音響学会研究発表会講演論文集 2005(1), 569-570, 2005-03-08

    References (5) Cited by (1)

  • Perceiving inversion types of chords consisting of Shepard's Tones  [in Japanese]

    江村 伯夫 , 三浦 雅展 , 柳田 益造

    聴覚研究会資料 = Proceedings of the auditory research meeting 34(10), 681-686, 2004-12-04

  • Automatic Scoring of Melodies Sung by Humming  [in Japanese]

    SHIMIZU Jun , MARUYAMA Takeshi , MIURA Masanobu , YANAGIDA Masuzo

    The objective of this research is automatic scoring of melodies sung by humming. The absolute frequency position of a musical scale for a singer is estimated by matching a "keyboard template" having l …

    IPSJ SIG Notes 57, 95-100, 2004-11-05

    References (5)

  • Compensation of note-on timing for pianos driven by MIDI  [in Japanese]

    MIYAGAWA Yasushi , MIURA Masanobu , YANAGIDA Masuzo

    Proposed is a method to adjust the timing of transmitted MIDI signals for driving a MIDI piano by rewriting MIDI data to compensate time delays caused by slow strokes comes from delay to note-on messa …

    IPSJ SIG Notes 57, 89-94, 2004-11-05

    References (4)

  • Obtaining Optimum Performances of Chord Sequences on Guitar  [in Japanese]

    SAWAYAMA Koji , EMURA Norio , MIURA Masanobu , YANAGIDA Masuzo

    Playing chord sequences is a basic style in playing the guitar. Proposed is a system which yields a chord-form sequence of minimum performance load to a given chord sequence for novice players. Discar …

    IPSJ SIG Notes 57, 83-88, 2004-11-05

    References (7)

  • Melody Cognition and its Effects on Psychology  [in Japanese]

    OBANA Mitsuru , MIURA Masanobu , YANAGIDA Masuzo

    メロディーに対する印象評価の際には,ゲシュタルト的輪郭を聞き手が認識することが重要であると考えられている.現存するメロディーの多くは動機が繰り返される形で構成されており,こういった形のメロディーは,繰り返された動機を何度も認識することにより記憶されやすくなるであろうと考えられる.この予測のもとに,メロディーの輪郭として類型を5種類設定し,各類型の特徴に関する評価実験を行なった.その結果,それぞれの …

    IPSJ SIG Notes 57, 47-52, 2004-11-05

    References (12)

  • G-025 ギターコード演奏における最適押弦位置決定システム(G.音声・音楽)  [in Japanese]

    MIURA Masanobu , EMURA Norio , YANAGIDA Masuzo

    情報科学技術フォーラム一般講演論文集 3(2), 401-402, 2004-08-20

    IPSJ 

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