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中村 滋延 芸術工学研究 24 43-52, 2016-03-16

This essay focuses on the compositional activities to date of composer Shigenobu Nakamura. In this essay, I present the subject of musical composition in contemporary Japan, explain how I came to …

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中村 滋延 芸術工学研究 23 35-46, 2015-09-24

This paper reports on a March 2015 study of the modernization of the traditional performing arts of Bali. The survey was carried out as part of the research project titled "Proposal of sustainable …

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中村 滋延 芸術工学研究 21 31-39, 2014-10-16

This paper is a musical analysis of Music for 12 Players and Electronic Sounds, composed by Shiro Kon in 1964, with the aim of highlighting its unique characteristics and features. In addition, this …

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中村 滋延, 尾本 章, 鳥原 秀男 芸術工学研究 21 51-61, 2014-10-16

This paper reports on a September 2013 study of the modernization of Laotian traditional performing arts, especially its music. This survey was carried out as part of the research project titled …

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栗原, 詩子 西南学院大学国際文化論集 28 (2), 75-96, 2014-03

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中村 滋延 芸術工学研究 19 9-20, 2013-10-15

The composer Shiro Kon worked creatively I Fukuoka from 1937 until his death in1977. After 1967, Kon composed works with “textural composition,” a style for musical compositions. An example is his …

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中村 滋延, 小畑 郁男, 小寺 未知留 芸術工学研究 19 35-54, 2013-10-15

As part of project study of teachers in charge of HME Cultivation Program, the first concert of KASA Sonic Art series “-Sing- for voice and piano” was held at the fourth floor hall of AMIKAS …

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中村 滋延 芸術工学研究 18 51-59, 2013-03-29

This essay examines the usage of sound in the second talkie directed by Yasujiro Ozu: What did the Lady Forget?(1937). This essay is just one part of a large-scale series titled Structure and …

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中村 滋延 芸術工学研究 17 53-67, 2012-11-28

Celebration Overture for Kyushu University’s 100th Anniversary was composed in celebration of the Centennial Anniversary of Kyushu University in 2011. In the aftermath of the Great East Japan …

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小寺 未知留, 西田 紘子, 中村 滋延 芸術工学研究 17 37-52, 2012-11-28

This paper proposes a framework that describes how musical form influences the probability relationship (PR), which was proposed in L. B. Meyer's Emotion and Meaning in Music (1956). First, his …

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中村 滋延 芸術工学研究 17 69-82, 2012-11-28

The purpose of this report is to outline the characteristics of the usage of sound and music in The Only Son (Hitori Musuko), Yasujiro Ozu's first talkie, which he directed before the war. This will …

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中村 滋延 芸術工学研究 16 19-26, 2012-03-30

This paper is a discussion about how the sounds (sound effect or noise) that constitute the sound track characterize the story structure in the movie "Tokyo Story" directed by Yasujiro Ozu. "Tokyo …

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中村 滋延 システム／制御／情報 56 (5), 207-212, 2012

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中村 滋延 芸術工学研究 15 53-63, 2011-11-21

The objective of this study is to demonstrate the structural function of sound in films directed by Yasujiro Ozu. In this paper, however, only sounds that are played as sound effects in the films …

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中村 滋延, 川尻 大輔 芸術工学研究 14 17-24, 2011-03-31

The talking film debuted in 1927, succeeding the silent film. Influenced by requests from theater operators, many directors began producing talking films. However, for Chaplin, who had already …

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中村 滋延 芸術工学研究 14 37-44, 2011-03-31

By analyzing the structures of the sound tracks of JUDOU, this thesis aims to reveal Zhang Yimou's high sensitivity and his cinematic expertise. The structural analysis of these sound tracks aims to …

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中村 滋延, 藤岡 定, 古田 伸彦, 的場 寛 芸術工学研究 13 9-30, 2010-12-15

Software art is an artistic production created by computer software. In this concept, what moves music to the center stage of the components and whose input to computer has an aspect of rendition is …

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中村 滋延 芸術工学研究 13 47-56, 2010-12-15

本稿は私が1990年代半ばからこれまでに制作した映像音響詩13作品についての解説である。様式から言えば、映像音響詩は音による表現を第一義に考えてつくられている「映像作品」である。しかし表現の目的から言えば、映像音響詩は視覚的要素を構成に取り入れた「音楽作品」である。そのことで音の意味生成の可能性を豊かにし、音による想像を刺激し、音だけではなし得なかった実験的な音楽表現を様々に試みている。その試み…

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中村 滋延 芸術工学研究 12 49-66, 2010-03-30

This piece of work is an opera libretto of Ramayana composed by Shigenobu Nakamura. At present, he’s been composing it aiming for a first performance at the end of 2011. The original work of this …

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的場 寛, 中村 滋延 芸術工学会誌 51 (0), 42-43, 2009-11-01

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塩崎 怜史, 中村 滋延 芸術工学会誌 51 (0), 40-41, 2009-11-01

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中村 滋延, 西山 昌吾, 河原 一彦 芸術工学研究 10 97-108, 2009-03-31

This paper presents a report on the sound design of Shintencho-Sundome. In Chapter 1, the how and why of this project are briefly discussed. Next, in Chapter 2, our general assumptions and …

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中地 雅之, 寺内 大輔, 中村 滋延, 杉江 淑子 音楽教育学 39 (2), 60-68, 2009

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中村 滋延 芸術工学研究 7 31-41, 2007-03-30

This paper describes the compositional design for my musical work series on the Ramayana as the outcome of my research on Southeast Asian culture, particularly pertaining to the Indian epic …

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中村 滋延, 河原 一彦 芸術工学研究 5 53-65, 2006-03-30

This paper is a report on the field work that we conducted under the theme “a practical study on media art development of Sbek Thom, the traditional Cambodian shadow theater" in Cambodia in 2005. …

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中村 滋延 芸術工学研究 3 57-73, 2005-03-02

Suite sur B-A-C-H No.2 for Piano was composed as one of Suite sur B-A-C-H for Piano series in the period of early November 2004 through mid-December 2004. This series consists of three works: Suite …

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中村 滋延 芸術工学研究 2 25-36, 2004-11-25

ビデオソフトがDVD 化されていることと関連しているのかどうか不明であるが，ここわずか数年の間にアート・アニメーションの名作がDVD ビデオとして次々と発売されている。短編が主流であるアート・アニメーションにおいては，ランダムアクセス可能なDVD ビデオはたしかに扱いやすいメディアであろう。アート・アニメーション先進国と言われるチェコや旧ソ連，カナダの名作を質の良い画像で， …

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中村 滋延 芸術工学研究 1 67-76, 2004-03-12

This critical essay aimed to demonstrate the rightness of Glenn Gould's interpretation of the music pieces with 'Twelve-note Technique', which have been composed by Arnold Schoenberg, through this …

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中村 滋延, 湯本 長伯 産学連携学会大会講演予稿集 1 (0), 98-99, 2003

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長嶋, 洋一 全国大会講演論文集 第41回 (応用), 253-254, 1990-09-04

...本稿では、現代音楽の作曲家(中村滋延氏)への技術協力として、1990年6月9日の東京・バリオホールでの同氏の演奏会に向けて製作した実験システムについて報告する。...

情報処理学会 被引用文献5件