Conducting favourite concert pieces
著者
書誌事項
Conducting favourite concert pieces
Clarendon Press, 1998
- : pbk
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注記
Includes index
内容説明・目次
- 巻冊次
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ISBN 9780198165538
内容説明
This apparently haphazard collection of essays on the interpretation of more unusual concert pieces was chosen partly with a view to more imaginative programme planning, the other requirement being that each piece is by a composer whose output would never make up a whole book. There are many composers who wrote one, or two, masterpieces, yet failed to leave a worthy oeuvre; these are often forgotten when building programmes, yet they enhance so many when brought to mind. This compilation spans a little over 100 years from the 19th and 20th centuries. Norman Del Mar shares his experience of handling the orchestra over a wide variety of styles and complicated instrumentation, his broad knowledge being a guide to both the aspiring conductor, music expert, and the music-loving listener alike.
目次
- Balakirev Tamara, Bizet Symphony in C
- Bloch Schelomo, Britten four sea interludes and "Passacaglia" from "Peter Grimes"
- Chabrier Espana, Chausson Poeme, for Violin and Orchestra, Op. 25
- Dohnanyi variations on a Children's Song, Op. 25
- Dukas L'Apprenti Sorcier, Falla three dances from "The Three-Cornered Hat"
- Falla, "Nights in the Gardens of Spain"
- Kodaly "Dances of Galanta"
- Kodaly "Summer Evening"
- Liszt "Mephisto Waltz No. 1"
- Mussorgsky "A Night on the Bare Mountain"
- Mussorgsky/Ravel "Pictures from an Exhibition"
- Poulenc Les Biches, Ballet Suite
- Roussel Le Festin de l'Araignee - fragments symphoniques
- Schonberg - five orchestral pieces, Op. 16
- Schonberg Kammersymphonie No.1, Op. 9
- Verdi "Overture La Forza del Destino"
- Wagner - "Eine Faust-Ouverture"
- Wolf - Italian Serenade, for small orchestra.
- 巻冊次
-
: pbk ISBN 9780198165583
内容説明
This apparently haphazard collection of essays on the interpretation of more unusual concert pieces was chosen partly with a view to more imaginative programme planning, the other requirement being that each piece is by a composer whose output would never make up a whole book. There are many composers who wrote one, or two, masterpieces, yet failed to leave a worthy oeuvre; these are often forgotten when building programmes, yet they enhance so many when brought to
mind. This compilation spans a little over a hundred years from the 19th and 20th centuries and all are colourful and attractive.
Once again Norman Del Mar brings us his expertise in handling the orchestra over a wide variety of styles and complicated instrumentation, his compulsive enthusiasm and broad knowledge being an invaluable guide to both the aspiring conductor, the expert, and the music-loving listener alike. The twenty-two essays range from Russia to Spain, from Schoenberg to Kodaly, from Wolf to Poulenc, with such firm favourites as La Forza del Destino revealing unexpected tricky moments and
the Four Sea Interludes and Passacaglia from Peter Grimes full of hints and advice straight from Britten himself, for Norman Del Mar worked for many years with him at Aldeburgh and on tour with the English Opera Group.
目次
- Balakirev Tamara
- Bizet Symphony in C
- Bloch Schelomo
- Britten 4 Sea Interludes and Passacaglia from Peter Grimes
- Chabrier Espana
- Chausson Poeme, for Violin and Orchestra, Op. 25
- Dohnanyi Variations on a Children's Song, Op. 25
- Dukas L'Apprenti Sorcier
- Falla 3 Dances from The Three-Cornered Hat
- Falla Nights in the Gardens of Spain
- Kodaly Dances of Galanta
- Kodaly Summer Evening
- Liszt Mephisto Waltz No. 1
- Mussorgsky A Night on the Bare Mountain
- Mussorgsky/Ravel Pictures from an Exhibition
- Poulenc Les Biches, Ballet Suite
- Roussel Le Festin de l'Araignee: Fragments Symphoniques
- Schonberg Five Orchestral Pieces, Op. 16
- Schonberg Kammersymphonie No.1, Op. 9
- Verdi Overture La Forza del Destino
- Wagner Eine Faust-Ouverture
- Wolf Italian Serenade, for small orchestra
- Index
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