Works for percussion
著者
書誌事項
Works for percussion
（Legacies, 2,
Hungaroton Classic, p1999-
- v. 1 (1935-1941)
- v. 4 (1940-1956)
- v. 6 (1975-1991)
録音資料（音楽）（CD）
- タイトル別名
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Music for percussion : complete edition
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注記
Title from pamphlet
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Zoltán Gavodi, tenor (v. 4: 3rd work) ; Gergely Ittzés, suling (v. 6: 1st) ; László Dés, soprano saxophone (v. 6: 4th) ; Mihály Borbély, alto saxophone (v. 6: 4th) ; Tamás Barabás, bass guitar (v. 6: 5th) ; Zoltán Kocsis (v. 1: 4th-5th. v. 4: 2nd-3rd), Zoltán Rácz (v. 1: 3rd), pianos ; Gábor Pusztai (v. 1: 4th), Kornél H. Magyar (v. 6: 1st), László Tömösközi (v. 6: 1st), Mátyás Szabó (v. 6: 1st and 6th), percussions ; Tamás Schlanger (v. 1: 4th), Aurél Holló (v. 1: 5th), assistants ; New Music Studio (v. 6: 7th) ; Amadinda Percussion Group
Recorded: Szombathely Bartók Hall in May, 1992 (v. 1: 1st, 3rd works); Hungaroton Studio on 16-30 December 1998 (v. 1: 2nd, 4th-7th), in 2004 and 2005 (v. 4), in 2009 and 2010 (v. 6)
Compact discs
Hungaroton Classic: HCD 31844 (v. 1)
Hungaroton Classic: HCD 31847 (v. 4)
Hungaroton Classic: HCD 31849 (v. 6)
収録内容
- v. 1. Quartet / arr. Z. Váczi
- Trio
- Imaginary landscape : no. 1
- First construction (in metal)
- Second construction
- Living room music
- Double music / J. Cage, Lou Harrison
- v. 4. 27'10.554" : for a percussionist (Stony Point, January 1956) / realization by Amadinda
- Fads and fancies in the academy : for piano and 4 percussion players (Mills College, July 1940)
- Four dances (What so proudly we hail) : for piano (also handclap), percussion (tom tom, handclap, footstomp) and voice (1942-43)
- v. 6. Haikai : (New York City 1986 October) for eight performers on gamelan degung (suling, bonang, jengglong, saron, panerus, gambang, kendang, and kempul and gong)
- Improvisation Ia: Child of tree : (1975) for percussionist using plant materials (with or without amplification), at least one of which is a pod rattle from a poinciana tree and at least one (preferably several) are cacti
- Improvisation Ib: Branches : (1976) for any number of percussionists using plant materials (with or without amplification), at least one of which is a pod rattle from a poinciana tree and at least one (preferably several) are cacti
- Five4 : (October 1991 New York City) (to the memory of Stefan Wolpe, 1991) for soprano saxophone in B flat, alto saxophone in E flat and three percussionists, player I using any four instruments, player II using any three instruments, and player III using any five instruments
- c Composed improvisation : (1987-1990 New York City) for any solo or combination of snare drum, Steinberger bass guitar, and one-sided drums with of without jangles : version for bass guitar and snare drum
- c Composed improvisation : (1987-1990 New York City) for any solo or combination of snare drum, Steinberger bass guitar, and one-sided drums with of without jangles : version for snare drum and one-sided drums with of without jangles
- But what about the noise of crumpling paper which he used to do in order to paint the series of "Papiers froissés" or tearing up paper to make "Papiers déchirés"? Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests : (New York City, August 1985) in celebration of the work of Jean Arp on the occasion of the centenary of his birth for three to ten percussionists each using at least two only slightly resonant instruments, also involving water, paper, etc. : version for ten performers
