Bauhaus conflicts, 1919-2009 : controversies and counterparts

書誌事項

Bauhaus conflicts, 1919-2009 : controversies and counterparts

[editor, Philipp Oswalt ; translations, Melissa Thorson Hause ... et al.]

Hatje Cantz, c2009

English ed

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注記

"This catlogue is published in conjunction with exhibitions commemorating the ninetieth anniversary of the founding of the Bauhaus: modell bauhaus, Martin-Gropius-Bau, Berlin, July 22 - October 4, 2009 and Bauhaus 1919-1933: Workshops for Modernity, The Museum of Modern Art, New York, November 8, 2009 - January 18, 2010." --Colophon

Includes bibliographical references

内容説明・目次

内容説明

The Bauhaus, one of the icons of modernism, was controversial from the start-not only because of internal strife, but also due to critique or enmities from the outside. And the controversy did not end with the closure of the Bauhaus itself. Yet nothing else revealed Bauhaus ideas and ideology as well as these confrontations did. Through them, the basic issues of the modernist program became clear. It became obvious that there was no such thing as one kind of modernism, just as there was no ONE Bauhaus; instead, there were different, contradictory, and even oppositional movements and positions: the Bauhauses. Few cultural movements have been as politically instrumentalized as the Bauhaus has. These controversies reflect the relationship between politics and culture in the twentieth century, and hence, the history of the construction of German identity.

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