Photographs, histories, and meanings
著者
書誌事項
Photographs, histories, and meanings
Palgrave Macmillan, 2009
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注記
Includes bibliographical references and index
収録内容
- Not so innocent : vision and culpability in Weegee's photographs of children / Caroline Blinder
- Strange birth : reading hands, reflecting race in Richard Wright's 12 million Black voices / Petra Dreiser
- Documenting disasters : Rothstein's "steer skull" and the use of photographic evidence in environmental and political narratives / James Hewitson
- Something is happening : seeing it / Jeanne Perreault
- Ambivalent image : twisted use / Marlene Kadar
- Visualizing the rising : photography, memory, and the visual economy of the 1916 Easter rising / Justin Carville
- The promise of public housing : photographs and the history of the Chicago Housing Authority / D. Bradford Hunt, Michael Ensdorf, and Kathy M. Pilat
- "More than an observer" : Emmy Andriesse, Dutch underground photographer / Christl Verduyn and Conny Steenman-Marcuse
- Between the officer and the artist : Arnold Odermatt's aesthetic-forensic project / Thomas Stubblefield
- Passionate protest : lynching photography and appropriative counter-performances of the lynching ritual / Zoe Trodd
- Captured childhoods : photographs in Indian residential school memoir / Linda Warley
- Returning to the United States Holocaust Memorial Museum : the tower of faces ten years later / Laura Levitt
内容説明・目次
内容説明
Photographs have shaped public perception and social meaning for the last one hundred and fifty years or more. This collection reexamines photographs and their social history, exploring the ideological, ethical, political, and aesthetic forces that inflect interpretation. The authors here trace shifting historical contexts, intentional or accidental interpretive distortions, and ambiguous and multiple meanings. Collectively, they seek to know how images can be believed, given our awareness of the uncertainty of meaning. The contributors in this collection believe the histories they convey are the stories of our lives. To know the photographs is to know ourselves - with all our ambiguities, distortions, and complexities on display.
目次
- Introduction: Ambiguities, Distortions, Shifts
- M.Kadar , J. Perreault & L.Warley Not so Innocent: Vision and Culpability in Weegee's Photographs of Children
- C.Blinder Strange Birth: Reading Hands, Reflecting Race in Richard Wright's Twelve Million Black Voices
- P.Dreiser Documenting Disaster: Rothstein's 'Steer Skull' and the Use of Photographic Evidence in Environmental and Political Narratives
- J. Hewitson Something is Happening: Seeing It
- J.Perreault Ambivalent Image: Twisted Use
- M.Kadar Visualizing the Rising: Photography, Memory and the Visual Economy of the 1916 Easter Rebellion
- J.Carville The Promise of Public Housing: Photographs and the History of the Chicago Housing Authority
- B.Hunt , M.Ensdorf & K.Pilat "More than an observer": Emmy Andriesse, Dutch Underground Photographer
- C.Steenman-Marcusse & C.Verduyn Between the Officer and the Artist: Arnold Odermatt's Aesthetic-Forensic Project
- T.Stubblefield Passionate Protest: Lynching Photography and Appropriative Counter-Performances of the Lynching Ritual
- Z.Trodd Captured Childhoods: Photographs in Indian Residential School Memoir
- L.Warley Returning to the United States Holocaust Memorial Museum: The Tower of Faces Ten Years Later
- L.Levitt
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