The music road : coherence and diversity in music from the Mediterranean to India

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The music road : coherence and diversity in music from the Mediterranean to India

edited by Reinhard Strohm

（Proceedings of the British Academy, 223）

Oxford University Press, 2019

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注記

Includes bibliographical references (p. [358]-387) and index

内容説明・目次

内容説明

The Music Road contains contributions on musical cultures from the Mediterranean to India which brings together historical research, philology and ethnographic fieldwork to revive the differentiated voices of this world region. It is here referred to as "the Music Road>", to emphasize the musical traditions in this western half of the "Silk Road", and the transitional nature of its cultural migrations and coherences. Mobility in space, transmission in time and "the East-West imagination" are demonstrated in the following historical cultures: Ancient Gandhar? (N.W. India, first centuries CE) and the tradition of Alexander's conquest; sections on "Intercultural Islam" from medieval Persia to modern Turkey; "Indian encounters" with the West - and vice versa - in music and dance (18th-20th centuries); Greek music and theatre as a bridge between East and West; and Gypsy musical styles in European nationalist music.

目次

Introduction 1: Reinhard Strohm: The Music Road: an expedition across time and space Keynote 2: Martin Stokes: The Middle East in music history: An ethnomusicological perspective Alexandrian Tracks 3: Gabriela Currie: Sonic entanglements, visual records and the Gandharan nexus 4: Ciro Lo Muzio: Persian 'snap': Iranian dancers in Gandhra 5: Donatella Restani: Listening between the lines: Alexander's musical legacy in Italy (13th-15th centuries) Intercultural Islam 6: Andrew Hicks: Mysticism's musical modalities: Philosophies of audition in medieval Persian Sufism 7: Lisa Nielson: Samac intertwined in practice: Eight treatises from the ninth to fifteenth centuries 8: Slawomira Zeranska-Kominek: Writing the history of unwritten music: On the treatise of Darwesh 'Ali Changi (17th c.) 9: Owen Wright: Bridging the Safavid-Ottoman divide 10: Kevin Dawe: Musical instruments and world history: A case study of the guitar in the Republic of Turkey Indian Encounters 11: Margaret Walker: 11 The 'Nautch', the Veil, and the Bayadere: The Indian dance as musical nexus 12: Nalini Ghuman: Maud MacCarthy: 'The musicking body' Hellas between West and East 13: Katy Romanou: The music of the modern Greeks in Western and Eastern music literature, from the ninth to the 19th century 14: Walter Puchner: A typology of Western music and theatre activity in South-East Europe, the Eastern Mediterranean and the Black Sea region in premodern times (16th-19th century) 15: Kostas Kardamis: Orientalism in the art music of the Ionian islands 16: Avra Xepapadakou: European itinerant opera and operetta companies touring in the Near and Middle East A Gypsy Epilogue 17: Anna G. Piotrowska: From 'rhapsodic gypsy' to 'gypsy rhapsody' General bibliography Index

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  • Proceedings of the British Academy

    Published for the British Academy by Oxford University Press [1945]-

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