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- 青柳 憲昌
- 東京工業大学大学院理工学研究科博士課程
書誌事項
- タイトル別名
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- CONCEPT OF ARCHITECTURAL PRESERVATION SHOWN IN THE RESTORATION POLICY FOR THE HORYUJI MAIN HALL AND FIVE-STOREY PAGODA (1942-54)
- ホウリュウジ コンドウ ゴジュウノトウ ショウワ シュウリ ノ ホウシン サクテイ カテイ ニ シメサレタ ホゾン ノ ガイネン
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Although Minoru Ooka and Kiyoshi Asano first set up the restoration policy until the fire in 1949, their idea, regarding original design of architecture as the concept of preservation, was not fully realized due to the following problems caused by those buildings' peculiarities. To preserve artistic value of the wall paintings in the Main Hall brought many arguments, until the fire, for and against complete dismantlement method that was considered to provide a basis for their policy. Additional structural reinforcement, aimed to remove all the structural supports of Edo-period, arouse hostile objections from those who advocated technical (e.g. structural system) or material authenticity. Those buildings' well-known appearance to the Japanese public functioned as a constraint not to change the profile of buildings. Having these difficulties, this project can be reinterpreted as a symbolic case that overtly shows an aporia in architectural preservation.
収録刊行物
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- 日本建築学会計画系論文集
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日本建築学会計画系論文集 72 (613), 275-282, 2007
日本建築学会
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詳細情報 詳細情報について
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- CRID
- 1390001204785653376
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- NII論文ID
- 110006224372
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- NII書誌ID
- AN10438548
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- ISSN
- 18818161
- 13404210
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- NDL書誌ID
- 8668936
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
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- 抄録ライセンスフラグ
- 使用不可