The complete works of Robert Browning : with variant readings & annotations

Author(s)

• Browning, Robert
• King, Roma A. (Roma Alvah)
• Herring, Jack W.
• Crowder, A. B.
• Crowl, Susan
• Berkey, John C.
• Dooley, Allan C.
• Dooley, Susan
• Patteson, Rita S.
• Turner, Paul
• Ewbank, David
• Bright, Michael, professor

Bibliographic Information

The complete works of Robert Browning : with variant readings & annotations

editorial board, Roma A. King, Jr. ... [et al.]

Ohio University Press , Baylor University, 1969-

• v. 1
• v. 2
• v. 3
• v. 4
• v. 5
• v. 6
• v. 7
• v. 8
• v. 9
• v. 10
• v. 11
• v. 12
• v. 13
• v. 14
• v. 15
• v. 16
• v. 17

Other Title

The complete works of Robert Browning : with variant readings and annotations

Note

Vols. 4, 6 edited by John C. Berkey, Allan C. Dooley, Susan E. Dooley

Vol. 7-8: general editor, Jack W. Herring

Vol. 9 edited by Roma A. King, Jr. and Susan Crowl

Vol. 10 edited by Allan C. Dooley, Susan E. Dooley

Vol. 11 edited by Michael Bright

Vol. 12 edited by Rita S. Patteson, Paul D.L. Turner

Vol. 13 edited by Ashby Bland Crowder

Vol. 14 edited by John C. Berkey ... [et al.]

Vol. 15 edited by Allan C. Dooley, David Ewbank

Vol. 16 edited by Susan Crowl, Roma A. King, Jr

Vol. 17 edited by Ashby Bland Crowder, Allan C. Dooley

Includes bibliographical references and indexes

Publisher varies: Baylor University

Description and Table of Contents

Volume

v. 5 ISBN 9780821402207

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. Volume V contains: A Soul's Tragedy Poems Christmas-Eve and Easter Day Essay on Shelley Men and Women, Vol. I As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

Volume

v. 7 ISBN 9780821402306

Description

The first complete edition of the works of Robert Browning with variant readings and annotations contains: 1. The entire contents of the first editions of Browning's work; 2. All prefaces and dedications which Browning wrote for his own works and for those of Elizabeth Barrett Browning and others; 3. The two prose essays: The Essay on Chatterton and The Essay on Shelley; 4. The front matter and tables of contents of each of the collected editions (1849, 1863, 1865, 1868, 1888-1889) which Browning himself saw through the press; 5 Poems by Browning published during his lifetime but not collected by him; 9. Poems not published during Browning's lifetime which have come to light since his death; 7. John Forster's Thomas Wentworth, Earl of Strafford to which Browning contributed significantly, though to what precise extent has not been determined. The edition provides a full apparatus, including variant readings and annotations.

Volume

v. 9 ISBN 9780821403815

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture.

Volume

v. 6 ISBN 9780821411377

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. The sixth in the projected seventeen-volume work, this volume covers the second half of Men and Women (1855), perhaps Browning's most famous collection, and the entirety of Dramatis Personae (1864), the first book Browning produced after the death of Elizabeth Barrett Browning in 1861. Men and Women II contains several great dramatic poems on which Browning's reputation still depends, including "Andrea del Sarto," "Saul," and "Cleon." It also includes the more intimate and personal works "The Guardian Angel" and "One Word More," as well as the mysterious "Women and Roses." The Brownings' shared interests in Renaissance art and nineteenth-century Italian politics inform the challenging "Old Pictures in Florence." The publication of Dramatis Personae was a key event in the rapid rise of Browning's fame in the 1860s, though the collection is marked by a welter of conflicting impulses that arose after the poet left Italy and his married life behind. The classic monologues "Rabbi Ben Ezra" and "Abt Vogler" are here, but beside them Browning placed the nearly surreal "Caliban upon Setebos" and the achingly self-regarding "James Lee's Wife," one of the volume's handful of dramatic lyrics about betrayed or failed relationships. Also included are "A Death in the Desert," which contributed to the intense Victorian debate about scriptural validity and religious authority; and "Mr Sludge, 'The Medium,'" Browning's ferocious, pyrotechnic expose of a spiritualist fraud. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

Volume

v. 16 ISBN 9780821412510

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. Robert Browning wrote Parleyings with Certain People of Importance in Their Day in his seventy-third year. The work is a capstone to the poet's long career, encompassing autobiography as well as influences bearing on the poet's life and career and on Victorian thought and culture in general. One of Browning's most complex works, Parleyings is also a work essential to understanding his genius and career as a whole. The Ohio/Baylor Browning edition offers keys to the complexity and interest of Parleyings through a definitive, emended text, full annotations for allusions both explicit and implicit in the text, and variant readings for the manuscript and all editions revised by Browning during his lifetime. In form and structure, Parleyings is a series of seven poems written in Browning's own voice and addressed to figures influential in his development. The series is framed by a prologue and an epilogue, the whole amounting to some 3,500 lines. The poems are a formal contrast and a pendant to the great series of linked dramatic monologues in The Ring and the Book. They demonstrate the zest for innovation possessed by the master of the dramatic monologue in his ripe maturity. Interested readers as well as students and scholars of Browning will find a rich field of poetry and a critical mass of resources in Volume XVI of the Ohio/Baylor Browning edition. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

Volume

v. 10 ISBN 9780821413005

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. The Complete Works of Robert Browning, Volume X contains critical editions of Balaustion's Adventure: Including a Transcript from Euripides and Prince Hohenstiel-Schwangau, Saviour of Society. Both published in 1871, these two long poems take up a pair of subjects that held enduring fascination for Robert and Elizabeth Barrett Browning: classical Greek literature and the career of Napoleon III, Emperor of France. Balaustion's Adventure, which the poet characterized as merely a "May-month amusement," was surprisingly successful with the reading public that paid more attention to Browning after the triumph of The Ring and the Book in 1868-69. His first poem since the publication of that masterpiece, Balaustion's Adventure creates a charming and brave narrator who recalls in vivid detail a performance of Euripides' play Alcestis. Browning began a poem on Louis Napoleon in 1860, but not until after the fall of the Second Empire in 1870 did he attempt a full-scale portrait of the French emperor. As an exercise in self-justification, Prince Hohenstiel-Schwangau falls into a familiar sub-genre of Browning's dramatic monologues. The most intriguing aspect of the poem lies in its biographical importance: the character and career of Napoleon III was a topic of sustained, sharp disagreement between Robert and Elizabeth Browning. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

Volume

v. 12 ISBN 9780821413593

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. A single work, the complex Aristophanes' Apology (1875), comprises the twelfth volume of The Complete Works of Robert Browning. Second in Browning's series of long narrative poems based on classical Greek materials, Aristophanes' Apology begins as a further adventure of Browning's young Greek heroine, Balaustion (previously encountered in Balaustion's Adventure, in Volume X of the present edition). In a confrontation with Aristophanes, Balaustion defends her (and Browning's) favorite tragedian, Euripides, whom Aristophanes had repeatedly satirized. Aristophanes offers an ingenious, vigorous explanation of his motives and values, but Browning ensures that Balaustion claims the higher moral and artistic ground for Euripides. To demonstrate his greatness, she reads Euripides' play Herakles aloud, in Browning's own translation. Browning's understanding of this play and its author, like his view of Greek drama overall, is both idiosyncratic and strongly held. He energetically takes up artistic and philosophical issues ancient and modern through his dramatized speaker. Many interpreters have noted that the charges against Euripides are parallel to Victorian critics' complaints about Browning's own works, and that the poet's justification of Euripides constitutes a vehement defense of his art. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

Volume

v. 14 ISBN 9780821414736

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. Volume XIV of The Complete Works of Robert Browning records a transition in the poet's career. With The Agamemnon of Aeschylus (1877), Browning ended his experiments with classical sources, creating his "transcript" - not quite a translation - of the Greek original and providing an intriguing explanation for his approach. La Saisiaz, the deeply personal expression of Browning's shock at the sudden death of a dear friend, was published in 1878 with The Two Poets of Croisic, an extended ironic meditation on literary fame. Browning's collection of six poems under the title Dramatic Idyls (1879) marks the poet's return to the dramatic forms he perfected in Men and Women and Dramatis Personae, and a revival of his interest in the psychology of motives. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

Volume

v. 15 ISBN 9780821417270

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. In the 1880s, the aging Browning showed once again the remarkable versatility of his lyric and narrative talents. Ranging across eras and cultures, the books here reveal his late thoughts about history, myth, legend, faith, love, and desire. He had never been more popular, and the founding of the Browning Society in 1881 expanded both his audience and his sense of his place in English letters. The first title in Volume XV is Dramatic Idylls, Second Series (1880). Taking his subjects from classical history, colonial India, Arabian legend, medieval sorcery, Jewish folk tales, and Greek myth, Browning startles the reader with the rapidity of his thought and the inventiveness of his art. In Jocoseria (1883) Browning's subjects range across time and space from Hebraic legend to the England of the Romantics. Such variety helped attract new readers: Jocoseria was immediately successful, and a second edition was printed in the same year as the first. Although Browning's next volume, Ferishtah's Fancies (1884), was so popular that three editions were printed in less than two years, this artful string of anecdotes and lyrics has attracted little favorable criticism. The materials-Persian legends and Arabic backgrounds-chimed with the wildly popular Orientalism of FitzGerald's Rubaiyat, Whistler's Peacock Room, and Alma-Tadema's paintings. But the thought was pure Browning in his most optimistic vein, and not at all in tune with the growing pessimism of the day. As always in this series of critical editions, a complete record of textual variants is provided, as well as extensive explanatory notes.

Volume

v. 17 ISBN 9780821419816

Description

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. With this seventeenth and final volume, The Complete Works of Robert Browning concludes the major phase of a great scholarly project: the accurate preservation and transmission of the poet’s works for future generations of readers. Volume XVII begins with Browning’s last collection of poems, Asolando: Fancies and Facts, published on the day of the poet’s death, 12 December 1889. Wonderful in its diversity and intensity, Asolando contains lyrics of startling emotion, autobiographical narratives, and a few of the dramatic monologues for which Browning had become famed. Also in this final volume are ninety-nine fugitive pieces, either unpublished or uncollected during the poet’s lifetime. Ranging from experimental poems of Browning’s youth to Greek translations to joking couplets and witty ephemera, these works illustrate the endless variety of the poet’s talent. Finally, Volume XVII includes “Thomas Wentworth, Earl of Strafford,” a biographical essay that Browning coauthored with John Forster in 1836. The historical research done for this work formed a basis for Strafford, a play Browning completed the following year. Comprehensive explanatory notes for the works in this volume are provided, as is a title index to all seventeen volumes of The Complete Works.

by "Nielsen BookData"

Details

• NCID: BA03114553
• ISBN:
  • 082140220X
  • 0821411373
  • 0821402307
  • 082140380X
  • 0821403818
  • 0821413007
  • 9780821418390
  • 0821413597
  • 082141111X
  • 0821414739
  • 9780821417270
  • 0821412515
  • 9780821419816
• LCCN: 68018389
• Country Code: us
• Title Language Code: eng
• Text Language Code: eng
• Place of Publication: Athens,Waco, Tex.
• Pages/Volumes: v.
• Size: 24 cm
• Classification:
  • LCC : PR4201
  • DC : 821/.8
  • NDC9 : 931.6
• Subject Headings:
  • LCSH : Browning, Robert, 1812-1889