Shakespeare the theatre-poet

著者

書誌事項

Shakespeare the theatre-poet

Robert Hapgood

Clarendon Press, 1988

大学図書館所蔵 件 / 全43件

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注記

Includes index

内容説明・目次

内容説明

This book seeks to come to terms with Shakespeare's susceptibility to interpretation while respecting the primacy of his creative presence. It sees Shakespeare the theatre-poet as making theatre not only by outlining an imaginary world but by providing guidelines for its enactment and reception, implying in each of his plays a distinctive rapport between the playwright, the players and the playgoers. These guidelines may be discerned through study of the range and limits of the options that a given text affords. The book studies a variety of plays in this way, especially "Hamlet", "Othello", "King Lear" and "Macbeth". By doing so it seeks to provide an aesthetic for Shakespeare's theatre-poetry, one that includes the author along with the actors and the audience in the event that occurs when a play is performed.

目次

  • Shakespeare the theatre-poet
  • the performance-ensemble - "Henry V" and "A Midsummer Night's Dream"
  • point of view and viewpoint - "Henry IV. Part One" and "Macbeth"
  • the roles of the playwright
  • the playwright in the play - "Macbeth", "Romeo and Juliet", "The Tempest"
  • the playwright's share in "Hamlet"
  • the theatre-poet and the players - four rehearsals ("As You Like It", "Henry V", "Macbeth", "Hamlet")
  • the role of Othello
  • the latitudes and limits of performance - the BBC Television "Measure for Measure" and Zeffirelli's "The Taming of the Shrew"
  • audience-response - "Macbeth"
  • the playwright and the audience - the outrageousness of "King Lear"
  • Shakespeare's theatre-poetry - some conclusions.

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