The organ music of J.S. Bach
著者
書誌事項
The organ music of J.S. Bach
(Cambridge studies in music)
Cambridge University Press, 1980-1984
- v. 1
- v. 2
- v. 3
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1762.34||W74o(1)8300239202,
2762.34||W74o(2)8300239210, 3764.22334||W74o(3)8300301705
注記
Includes bibliographies and indexes
収録内容
- 1. Preludes, toccatas, fantasias, fugues, sonatas, concertos and miscellaneous pieces (BWV 525-598, 802-805 etc.)
- 2. Works based on chorales (BWV 599-771 etc.)
- 3. A background
内容説明・目次
- 巻冊次
-
v. 1 ISBN 9780521217231
内容説明
These paperback editions makes Peter Williams's influential scholarship available to a wider field of readers, including those with an interest in the ever-expanding discussions of original instrumentation and its implications for modern performance. Professor Williams examines Bach's organ works piece-by-piece, reconstructing for the present-day performer and listener the original context of the work. Form and style are analysed, with abundant musical examples and frequent allusions to the views of other commentators. Each volume contains a preface, calendar, lists of musical sources and references, and an index.
- 巻冊次
-
v. 3 ISBN 9780521244121
内容説明
This book, first published in 1984, is the third volume of Peter Williams' important reference work, The Organ Music of J. S. Bach. In this volume, Peter Williams lays before the reader the salient points that serve as an appropriate bckground to the pieces: notes on the church services of the area in question (Thuringia - Saxony), the fitful tradition of recitals, the duties of organists, the composer's indebtedness to former and contemporary styles in music, his knowledge of organs, the relevance (often over-valued today) of theorists, details of the instruments he was acquainted with and what can be assumed about the way they were registered and played. Throughout, the author has aimed to present a background to this music and its playing and has avoided stepping into areas of high conjecture, such as chronology or how specific pieces are to be played.
目次
- Preface
- Maps
- Part I. The Music in Service and Recital: 1. The order of services
- 2. Hymns, hymnbooks and singing
- 3. Organ chorales as preludes
- 4. Organ chorales as and with interludes
- 5. The duties of organists
- 6. Organist-trials
- 7. Recitals
- Part II. The Music and its Composition: 8. The arts of composing or improvising organ chorales
- 9. Affektenlehre, rhetoric and 'symbolism'
- 10. Figurenlehre as a background to composition
- 11. Italian influences
- 12. French influences
- 13. Niedt's and Mattheson's praeludia
- 14. Influences on the preludes and fugues: further remarks
- 15. Bicinia
- Part III. The Music and its Organ: 16. The 'Bach organ'
- 17. J. S. Bach's organ reports
- 18. Registration
- 19. Organo pleno
- 20. Two manuals
- 21. Temperament questions
- 22. Harpsichord questions
- 23. The Music and its Performance: 23. Certain details of performance: articulation and legato
- 24. Fingering
- 25. Ornaments
- 26. Certain details of performance: finals, fermatas and repeats
- 27. Pedals and pedalling
- 28. Three-stave notation
- Additions and corrections: Volume i
- Volume II
- Notes on MSS cited
- List of references
- Index of names
- Index of BWV works cited
- Title index of BWV numbers in volumes I-III.
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