Classical music and its origins
Author(s)
Bibliographic Information
Classical music and its origins
(Heritage of music / edited by Michael Raeburn and Alan Kendall, v. 1)
Oxford University Press, 1989
Available at 42 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Description and Table of Contents
Description
This volume is one of four on the history of western music, concentrating on classical music and its origins.
Table of Contents
- Introduction. Interlude - the basis of western harmony
- medieval music, Albert Seay and Denis Stevens
- interlude - music at the court of Emperor Maximilian
- the Renaissance, Alex Harman
- Monteverdi, opera and oratorio, John Whenham
- Baroque music in Germany before Bach, Frederick Hudson
- Baroque music in Italy, Arthur Hutchings and Eric Cross
- interlude - Baroque stage machinery
- the Baroque in France, Roger Blanchard and Wilfrid Mellers
- interlude - Purcell and the court masque
- J.S. Bach - life and works, Basil Lam
- interlude - the Baroque organ
- G.F. Handel - life and works, Anthony Ford
- the classical style, David Wyn Jones
- interlude - the orchestra in the eighteenth century
- C.W. Gluck and the new opera, Julian Rushton
- interlude - the keyboard concerto
- W.A. Mozart - life and works, Julian Rushton
- Joseph Haydn - life and works, Peter Brown. A-Z of composers, Malcolm Boyd and Brian Richardson. Credits and index.
by "Nielsen BookData"