Shakespeare and the popular voice

Bibliographic Information

Shakespeare and the popular voice

Annabel Patterson

B. Blackwell, 1989

  • : pbk

Available at  / 42 libraries

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Note

Includes index

Description and Table of Contents

Volume

ISBN 9780631168720

Description

Annabel Patterson challenges the common opinion that Shakespeare was anti-democratic, contemptuous of the crowd and an unfailing supporter of the Elizabethan social hierarchy. She argues that this view originated in the 19thcentury and was rendered influential, especially by Coleridge, as a part of anti-Jacobin propaganda; and that in reality, Shakespeare engaged in a rigorous critique of his society, which is given fullest expression in "Coriolanus". Using unread or under-interpreted contemporary documents and situating her analysis in relation to the most recent theories of popular culture and popular protest, Annabel Patterson offers an account of seven plays, from "Henry VI, part 2" to "The Tempest". She also enters current debates on humanism, the relation of culture to society,

Table of Contents

  • Acknowledgements
  • Foreword
  • 1. Caviar or the General: Hamlet and the Popular Theater 2. the Peasant's Toe: Popular Culture and Popular Pressure 3. Bottom's Up: Festive Theory 4. Back by popular demand: the two versions of Henry V 5. `What Matter who's speaking?' Hamlet and King Lear 6. `Speak, speak!' the popular voice and the Jacobean state 7. `Thought is Free': The Tempest
  • Notes Index
Volume

: pbk ISBN 9780631168737

Description

In Shakespeare and the Popular Voice Annabel Patterson challenges as counter-intuitive the common opinion that Shakespeare was anti-democratic, contemptuous of the crowd and an unfailing supporter of Elizabethan social hierarchy.

Table of Contents

  • Caviar or the general - "Hamlet" and the Popular Theater
  • the peasant's toe - popular culture and popular pressure
  • bottom's up - festive theory
  • back by popular demand, the two versions of "Henry V"
  • What Matter who's speaking? "Hamlet" and "King Lear"
  • "Speak, speak!" - the popular voice and the Jacobean state
  • "Thought is Free" - "The Tempest".

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