Modernism and the European unconscious
著者
書誌事項
Modernism and the European unconscious
Polity Press, 1990
大学図書館所蔵 全21件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 303-306
内容説明・目次
内容説明
Modernism in art and literature was characterized by a reaction against the rationalism and scientism of the late nineteenth century and by a desire to open up enexplored areas of the mind, including the unconscious realms that were being uncovered by Freud and others. "Modernism and the European Unconscious" is a systematic study of this modernist "flight from reason" and of the impact of this movement on European culture in the twentieth century. In a comparative and comprehensive way, the contributors to this volume examine the interaction of modernist forms and new models of the mind. They focus on literary texts as well as on theatre, cinema and painting. They analyze not only the classic canon of great modernist novelists, such as Kafka, Virginia Woolf, James Joyce, D.H. Lawrence and Thomas Mann, but also avant-garde movements like Surrealism and influential figures like Magritte, Max Ernst, Breton and Artaud. The result is a major work of comparative and cultural analysis. Among the contributors are Malcolm Bowie, Elizabeth Wright and Edward Timms.
目次
Preface Part I: Towards a Freudian Aesthetic? 1. A Message F rom Kakania: Freud, Music, Criticism: Malcolm Bowie (Queen Mary College, London) 2. The Unconscious Image: Peter Collier (University of Cambridge) Part II: Fictions of the Unconscious 3. The Tyranny of the Text: Lawrence, Freud and the Modernist Aesthetic: Anne Fernihough (University of Oxford) 4. James Joyce: The Unconscious and the Cognitive Epiphany: Tim Cribb (University of Cambridge) 5. Primitivism and Psychology: Nietzsche, Freud and Thomas Mann: Ritchie Robertson (University of Cambridge) 6. Flaubert, Joyce, Schnitzler, Woolf: `Style indirect libre' to Stream of Consciousness: Naomi Segal (University of Cambridge) 7. The Word and the Spirit: Explorations of the Irrational in Musil, Doblin, and Kafka: David Midgley (University of Cambridge) 8. Following the Stranger: Narratives of Self in Svevo and Pirandello: Judy Davies (University of Cambridge) 9. Proust's Livre Interieur: Robin Mackenzie (Ecole Normale Superieure, Paris) 10. Hesse's Therapeutic Fiction: Edward Timms (University of Cambridge) Part III: The Image in Performance 11. `Secrets of a Soul': A Psychoanalytic Film: Sorley Macdonald (University of Cambridge) 12. Pirandello and the Drama of Creativity: Ann Caesar (University of Cambridge) 13. Antonin Artaud: Madness and Self-Expression: David Kelley (University of Cambridge) 14. Avant-garde Theatre and the Return to Dionysos (Nietzsche, Jung, Valle-Inclan, Lorca, Artaud): Alison Sinclair (University of Cambridge) 15. The Uncanny and Surrealism: Elizabeth Wright (University of Cambridge) 16. Monsters in Surrealism: Hunting the Human-Headed Bombyx:Elza Adamowicz (Goldsmith's College, London) Notes on Abbreviations Select General Bibligraphy Index Acknowledgements.
「Nielsen BookData」 より