Cognitive foundations of musical pitch
著者
書誌事項
Cognitive foundations of musical pitch
（Oxford psychology series, no. 17）
Oxford University Press, 1990
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注記
Bibliography: p. 289-299
Includes indexes
内容説明・目次
内容説明
"Cognitive Foundations of Musical Pitch" addresses the central problem of music cognition: how the listener's response moves beyond the mere registration of the auditory events present in the music to include the organization, interpretation, and remembrance of these sound events, in terms of their function in the musical context of pitch and rhythm. The author also asks how the psychological organization of music is dependent on the structure of the music itself. Taking the approach of cognitive psychology, Krumhansl integrates more than a decade of her own original research with the available literature on music cognition. Throughout, the author has taken care to provide adequate background in experimental methods and music theory so that no special background is needed to follow the major arguments.
目次
- Objectives and methods
- Quantifying tonal hierarchies and key distances
- Musical correlates of perceived tonal hierarchies
- A key-finding algorithm based on tonal hierarchies
- Perceived relations between musical tones
- Perceptual organization and pitch memory
- Quantifying harmonic hierarchies and key distances
- Perceived harmonic relations
- Perceiving multiple keys: modulation and polytonality
- Tonal hierarchies in atonal and non-western tonal music
- Music cognition: theoretical andempirical generalizations
- References
- Index.
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