Themes and conventions of Elizabethan tragedy
著者
書誌事項
Themes and conventions of Elizabethan tragedy
（History of Elizabethan drama / M.C. Bradbrook, 1）
Cambridge University Press, 1980
2nd ed
- pbk
大学図書館所蔵 件 / 全35件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Originally published 1935
Bibliography: p. 261-266
Includes index
内容説明・目次
内容説明
The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama.
目次
- Preface to the second edition
- Part I. The Theatre: 1. Introduction
- 2. Conventions of presentation and acting
- 3. Conventions of action
- 4. Elizabethan habits of reading, writing and listening
- 5. Conventions of speech
- Part II. The Dramatists: 6. Christopher Marlowe
- 7. Cyril Tourneur
- 8. John Webster
- 9. Thomas Middleton
- 10. Character, identity and the performer's art in Elizabethan drama
- Outline of related studies 1935-78
- Index.
「Nielsen BookData」 より